Море, Ivan Aivazovsky, 1872
Ivan Aivazovsky, portraitIvan Aivazovsky1817–1900

Море

1872 · Painting

Can I see it?

Unknown

Where is “Море” now? Collection: Yaroslavl Art Museum, Yaroslavl. Unknown.

Yaroslavl Art Museum

Yaroslavl, Russia

The owner is known; whether it is on view today is not.

In this state since
Source
The museum

About the painting

Museum text in Russian

Морской пейзаж, слева по диагонали песчаный берег, к берегу плывет шлюпка с гребцами, правее в центре трехмачтовый корабль. Небо голубое. Подписи, надписи: Слева внизу подпись: Айваз 1872 На обороте вверху ярлык с надписью галловыми чернилами: 72.

Yaroslavl Art Museum

Details

Accession number
Ж-128

In the catalog

Sources

In the life of Ivan Aivazovsky

The whole life
  1. 1860–1877

    Separation from Julia Graves and divorce

    After twelve years of marriage his wife leaves Aivazovsky; the marriage is dissolved only in 1877, with the Armenian Church's permission, since Graves was a Lutheran. The cause of the divorce is given as Aivazovsky's systematic physical abuse of his wife.

  2. 1871

    The museum of antiquities on Mount Mithridates

    In 1871 Aivazovsky takes up the building of a new museum of antiquities for Feodosia on Mount Mithridates, modelled on an ancient Greek temple of the Doric order (at his own expense and to his own design, with a memorial to P. S. Kotlyarevsky).

  3. 1874

    A commission from Sultan Abdülaziz

    In 1874 Aivazovsky makes his third trip to Constantinople. Sultan Abdülaziz, to whom Sarkis Bey Balyan had given one of his paintings, liked it so much that he ordered ten canvases of views of the city and the Bosphorus; while working on the commission the painter was constantly at the palace, befriended the sultan and painted about thirty pictures.

  4. 1874–1876

    Self-portraits for the Uffizi and the Palazzo Pitti

    In 1874 the Florence Academy of Fine Arts asks Aivazovsky for a self-portrait to hang in the Uffizi (a show of his work is held in Florence the same year); in 1876 he is made a member of the academy and becomes the second Russian artist, after Orest Kiprensky, to paint a self-portrait for the Palazzo Pitti.

All works

From the collection of Yaroslavl Art Museum

Museum page