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  3. Martin
Martin, Ernst Ludwig Kirchner, (1919)
Ernst Ludwig Kirchner, portraitErnst Ludwig KirchnerGerman, 1880–1938

Martin

(1919) · Print

May one see it?

Not receiving at present

The Museum of Modern Art

New York, United States

It belongs to the collection, but is not on display at present.

Checked
16 days ago
Source
The museum
On the mapMuseum page

Particulars

(1919) · aged 39
18801938
Accession number
326.1958

In the catalog

PrintsWoodcutModernism20th century

Sources

  • The Museum of Modern Art
  • Image: The Museum of Modern Art — © the artist or rights holder

Meanwhile, in the life of Ernst Ludwig Kirchner

The whole life
  1. summer 1917

    The Reusch Hut on the Stafelalp

    Resenting Dr. Spengler’s constant watch and doing all he could to deceive him, Kirchner moved to the Reusch Hut on the Stafelalp in the summer of 1917; Erna Schilling stayed in Berlin, looking after the apartment and studio and keeping up commercial and personal contacts in Germany.

  2. 19 January 1917

    First trip to Davos

    On 19 January 1917 Kirchner arrived in Davos at the invitation of Helene Spengler, prompted by Eberhard Grisebach; he saw an exhibition of Ferdinand Hodler’s paintings but, because of exceptionally cold weather, returned to Berlin after only ten days.

  3. April 1917

    Death of Botho Graef and the decision to return to Davos

    In April 1917 Kirchner’s close friend and mentor Botho Graef died; Kirchner decided to return to Davos for treatment under the lung specialist Dr. Lucius Spengler, who forced him to keep to strict rules and routine.

  4. 1917–1918

    The Bellevue Sanatorium in Kreuzlingen

    At the end of August 1917 Kirchner was visited once more by Henry van de Velde, through whose good offices he was admitted to Ludwig Binswanger’s Bellevue Sanatorium in Kreuzlingen, where he went on painting and making woodcuts.

  5. 1918

    Moves to the “In den Lärchen” farm in Davos

    In 1918 Kirchner received a residence permit and moved to the “In den Lärchen” farm above Längmatte in Davos — first renting a room in the upper hut, and in 1919 the rooms above — and furnished it with furniture he carved himself; he wrote to Henry van de Velde of a beautiful old Grisons house with a kitchen like Rembrandt’s studio.

  6. 1921

    A large exhibition in Berlin

    In 1921 a major display of Kirchner’s work was held in Berlin, and the reviews were favourable.

More by Ernst Ludwig Kirchner

All works
Seated Girl (Fränzi Fehrmann), Ernst Ludwig Kirchner, 1910 (altered 1920)

Seated Girl (Fränzi Fehrmann)

1910 (altered 1920) · Minneapolis Institute of Art

Dance Hall Bellevue [obverse], Ernst Ludwig Kirchner, 1909/1910

Dance Hall Bellevue [obverse]

1909/1910 · National Gallery of Art

Two Girls under an Umbrella, Ernst Ludwig Kirchner, 1910

Two Girls under an Umbrella

1910 · National Gallery of Art

Dance Training, Ernst Ludwig Kirchner, 1910–11 (altered 1920)

Dance Training

1910–11 (altered 1920) · Minneapolis Institute of Art

Street, Berlin, Ernst Ludwig Kirchner, 1913

Street, Berlin

1913 · The Museum of Modern Art

Modern Bohemia, Ernst Ludwig Kirchner, 1924

Modern Bohemia

1924 · Minneapolis Institute of Art

View of Dresden: Schlossplatz, Ernst Ludwig Kirchner, 1926

View of Dresden: Schlossplatz

1926 · Minneapolis Institute of Art

Zurich, Ernst Ludwig Kirchner, 1926

Zurich

1926 · Minneapolis Institute of Art

Neighbors at The Museum of Modern Art

Museum page
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

The Starry Night, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950