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  3. Marilyn Monroe, I
Marilyn Monroe, I, James Rosenquist, 1962
James Rosenquist, portraitJames RosenquistAmerican, 1933–2017

Marilyn Monroe, I

1962 · Painting

May one see it?

Not receiving at present

The Museum of Modern Art

New York, United States

It belongs to the collection, but is not on display at present.

Checked
9 days ago
Source
The museum
On the mapMuseum page

Particulars

1962 · aged 29
19332017
Accession number
646.1967

In the catalog

PaintingsOilAmerican paintingPost-war art20th century

Sources

  • The Museum of Modern Art
  • Image: The Museum of Modern Art — © the artist or rights holder

Meanwhile, in the life of James Rosenquist

The whole life
  1. 1957–1960

    A billboard painter in Times Square

    He first worked as a chauffeur, then joined the International Brotherhood of Painters and Allied Trades and from 1957 to 1960 earned his living painting billboards around Times Square, becoming lead painter for Artkraft-Strauss and painting displays and windows across Fifth Avenue. He later recalled painting billboards above every candy store in Brooklyn and being able to paint a Schenley whiskey bottle in his sleep.

  2. 1960

    Gives up sign painting after a friend’s death

    By 1960 Rosenquist abandoned sign painting after a friend died falling from scaffolding on the job. Instead of commercial work he focused on personal projects in his own studio, developing a style that kept the imagery, bold hues and scale of his billboard work; from 1960 he began to make large-format canvases based on advertising posters in the Pop Art manner.

  3. 5 June 1960

    Marries Mary Lou Adams

    On 5 June 1960 Rosenquist married Mary Lou Adams; they had a son, John. The marriage ended in divorce.

  4. 1962

    First solo exhibition at the Green Gallery

    In 1962 Rosenquist’s first solo exhibition was held at the Green Gallery in New York and attracted great attention from the public and the press.

  5. 1963

    A second Green Gallery show and “Young Talent USA”

    In 1963 Rosenquist had his second solo exhibition at the Green Gallery and was selected for Art in America’s “Young Talent USA”.

  6. 1964

    Meets Andy Warhol

    Critics grouped Rosenquist with the Pop artists because he used recognisable imagery, but he did not meet Andy Warhol until 1964 and did not know Warhol or Roy Lichtenstein very well: in his words, they all emerged separately.

More by James Rosenquist

All works
F-111, James Rosenquist, 1964-65

F-111

1964-65 · The Museum of Modern Art

Mirrored Flag, James Rosenquist, 1971

Mirrored Flag

1971 · National Gallery of Art

Spectator - Speed of Light, James Rosenquist, 2001

Spectator - Speed of Light

2001 · National Gallery of Art

Flag, Jasper Johns, 1969

Flag

1969 · National Gallery of Art

The Critic Smiles, Jasper Johns, 1969

The Critic Smiles

1969 · National Gallery of Art

Certificate (plate 14) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America), James Rosenquist, 1962, published 1964

Certificate (plate 14) from The International Anthology of Contemporary Engraving: The International Avant-Garde, Volume 5: America Discovered (Anthologia internazionale dell'incisione contemporanea: L'Avanguardia internazionale: Volume 5: Scoperta dell'America)

1962, published 1964 · Not on view · The Museum of Modern Art

Doorstop, James Rosenquist, 1963

Doorstop

1963 · Not on view · The Museum of Modern Art

White Bread, James Rosenquist, 1964

White Bread

1964 · Not on view · National Gallery of Art

Neighbors at The Museum of Modern Art

Museum page
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

The Starry Night, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950