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  1. Collection/
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  3. Limoges
Limoges, John Taylor Arms, 1932
JJohn Taylor ArmsAmerican, 1887–1953

Limoges

1932 · Print

Particulars

1932 · aged 45
18871953
Accession number
1946.9.9

More by John Taylor Arms

All works

Neighbors at National Gallery of Art

Museum page

On the same theme · Church

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May one see it?

Not receiving at present

National Gallery of Art

Washington, D.C., United States

It belongs to the collection, but is not on display at present.

Checked
3 days ago
In this state since
Aug 19, 2026
Source
The museum
On the mapMuseum page

What it shows

ChurchBridgeRiverCityCathedralSky

In the catalog

PrintsEtchingModernism20th centuryAmerican

Sources

  • National Gallery of Art
  • Image: National Gallery of Art — © the artist or rights holder
Veterans (Silent Witness), John Taylor Arms, 1916

Veterans (Silent Witness)

1916 · Not on view · National Gallery of Art

A Corner in Old Lisieux, John Taylor Arms, 1916

A Corner in Old Lisieux

1916 · Not on view · National Gallery of Art

Wasps, John Taylor Arms, 1920

Wasps

1920 · Not on view · National Gallery of Art

The Old Exe Bridge, John Taylor Arms, 1920

The Old Exe Bridge

1920 · Not on view · National Gallery of Art

Road to the Pasture, Somewhere in Maine, John Taylor Arms, 1920

Road to the Pasture, Somewhere in Maine

1920 · Not on view · National Gallery of Art

Downtown, New York, John Taylor Arms, 1921

Downtown, New York

1921 · Not on view · National Gallery of Art

New York Skyline, Sketch, John Taylor Arms, 1921

New York Skyline, Sketch

1921 · Not on view · National Gallery of Art

Guardians of the Spire, John Taylor Arms, 1921

Guardians of the Spire

1921 · Not on view · National Gallery of Art

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ginevra de' Benci [obverse], c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

[Medea oder die Hochzeit von Jason und Krëusa; Medea: Or the Marriage of Jason and Creusa; La Médée, ou le mariage de Jason et de Crëuse], Rembrandt, 1648

Rembrandt van Rijn

[Medea oder die Hochzeit von Jason und Krëusa; Medea: Or the Marriage of Jason and Creusa; La Médée, ou le mariage de Jason et de Crëuse], 1648

Herzog Anton Ulrich Museum

[Medea oder die Hochzeit von Jason und Krëusa; Medea: Or the Marriage of Jason and Creusa; La Médée, ou le mariage de Jason et de Crëuse], Rembrandt, 1648

Rembrandt van Rijn

[Medea oder die Hochzeit von Jason und Krëusa; Medea: Or the Marriage of Jason and Creusa; La Médée, ou le mariage de Jason et de Crëuse], 1648

Herzog Anton Ulrich Museum

L'Église, Wassily Kandinsky, 1909

Vasily Kandinsky

L'Église, 1909

Not on view · National Gallery of Art

Church Tower; A Sketch of a Fan [recto], Paul Gauguin, 1884-1888

Paul Gauguin

Church Tower; A Sketch of a Fan [recto], 1884-1888

Not on view · National Gallery of Art

The Canterbury Pilgrims, William Blake, 1810

William Blake

The Canterbury Pilgrims, 1810

Not on view · National Gallery of Art

Saint Sebaldus Standing on a Column, Albrecht Dürer, c. 1501

Albrecht Dürer

Saint Sebaldus Standing on a Column, c. 1501

Not on view · National Gallery of Art

The Mass of Saint Gregory, Albrecht Dürer, 1511

Albrecht Dürer

The Mass of Saint Gregory, 1511

Not on view · Minneapolis Institute of Art

Basil Bunting Summer 1973, we went from Bede's grave Durham Cathedral to a Northumbrian Churchyard where he preferred to be buried in time., Allen Ginsberg, 1973, printed later

Allen Ginsberg

Basil Bunting Summer 1973, we went from Bede's grave Durham Cathedral to a Northumbrian Churchyard where he preferred to be buried in time., 1973, printed later

Not on view · National Gallery of Art