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  1. Collection/
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  3. Lighthouse, Point Arena
Lighthouse, Point Arena, Edward Weston, 1937
Edward Weston, portraitEdward WestonAmerican, 1886–1958

Lighthouse, Point Arena

1937 · Photograph

May one see it?

Not receiving at present

The Museum of Modern Art

New York, United States

It belongs to the collection, but is not on display at present.

Checked
9 days ago
Source
The museum
On the mapMuseum page

Particulars

1937 · aged 51
18861958
Accession number
1911.1968

In the catalog

PhotographsGelatin silver printModernism20th century

Sources

  • The Museum of Modern Art
  • Image: The Museum of Modern Art — © the artist or rights holder

Meanwhile, in the life of Edward Weston

The whole life
  1. January 1935

    From Carmel to Santa Monica Canyon

    Facing mounting financial difficulties, Weston closes his studio in Carmel and moves to Santa Monica Canyon, California, where he opens a new studio with Brett.

  2. August 1935

    Charis Wilson agrees to live with him

    Weston had implored Charis Wilson to come and live with him, and in August 1935 she finally agrees. Of all the women he has lived with since Flora, she is the first with no interest in becoming a photographer; this lets him concentrate on her as his muse and model, while Wilson devotes her time to promoting his art as his assistant and quasi-agent.

  3. 1937 · Award

    Guggenheim Fellowship

  4. 22 March 1937

    News of the Guggenheim grant: two thousand dollars

    On 22 March 1937 Weston learns he has been awarded a Guggenheim grant, the first ever given to a photographer: $2,000 for one year, a significant sum at the time. He capitalises on it further by arranging to supply the editor of AAA Westway Magazine with 8–10 photographs a month for $50 during their travels, with Wilson earning another $15 a month for captions and short narratives. They buy a new car and set out on Weston’s dream trip to photograph whatever he wants.

  5. 1937–1939

    Nearly 1,400 negatives in two years on the fellowship

    The first photographer to receive a Guggenheim Fellowship, he produces nearly 1,400 negatives over the next two years with his 8 × 10 view camera.

  6. 24 April 1939

    Marries Charis Wilson

    Finally relieved of past financial stress and inordinately happy with both his work and his relationship, Weston marries Wilson in a small ceremony on 24 April.

More by Edward Weston

All works
Shell, Edward Weston, 1927

Shell

1927 · The Museum of Modern Art

Cypress Root and Succulents, Point Lobos, Edward Weston, 1930

Cypress Root and Succulents, Point Lobos

1930 · The Museum of Modern Art

Guadalupe, Mexico, Edward Weston, 1924

Guadalupe, Mexico

1924 · Minneapolis Institute of Art

Violet Romer. (reaching for tall reed, wearing fairy costume), Edward Weston, c. 1917

Violet Romer. (reaching for tall reed, wearing fairy costume)

c. 1917 · Not on view · The Museum of Modern Art

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · Not on view · The Museum of Modern Art

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · Not on view · The Museum of Modern Art

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · Not on view · The Museum of Modern Art

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · Not on view · The Museum of Modern Art

Neighbors at The Museum of Modern Art

Museum page
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

The Starry Night, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950