ART WIKI
L'età che non devora..., Fabio Berardi after Canaletto, c. 1760
Canaletto, portraitCanalettoItalian, 1697–1768

L'età che non devora...

c. 1760 · Portfolio

Can I see it?

Not on view at present

Where is “L'età che non devora...” now? Collection: National Gallery of Art, Washington, D.C. Not on view at present. Checked September 29, 2026.

National Gallery of Art

Washington, D.C., United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum
On the mapMuseum page

Details

Accession number
2007.70.6

What it shows

StatueBuildingFiguresWallWriting

In the catalog

PrintsEtchingRococoNeoclassicism18th centuryItalian

Sources

In the life of Canaletto

The whole life

  1. 1755–1768

    The late years: working from old sketches

    Back in Venice, Canaletto continues to paint until his death in 1768; in his later years he often works from old sketches but sometimes produces surprising new compositions, willing to make subtle alterations to topography for artistic effect.

  2. 1756–1768 · Workplace

    Venice

  3. 1762

    George III buys Smith's collection for £20,000

    In 1762 Joseph Smith sells most of his collection, which includes paintings by Canaletto, to King George III of England, who pays £20,000 for fifty paintings and 142 drawings and incorporates them into the Royal Collection.

More by Canaletto

All works
Piazza San Marco, Canaletto, late 1720s

Piazza San Marco

late 1720s · The Metropolitan Museum of Art

A Lock, a Column, and a Church beside a Lagoon, Canaletto

A Lock, a Column, and a Church beside a Lagoon

The Metropolitan Museum of Art

Arrival of the French Ambassador in Venice, Canaletto, 1720s

Arrival of the French Ambassador in Venice

1720s · State Hermitage Museum

The Grand Canal, Venice, Looking South toward the Rialto Bridge, Canaletto, 1730s

The Grand Canal, Venice, Looking South toward the Rialto Bridge

1730s · The Metropolitan Museum of Art

Campo Santa Maria Zobenigo, Venice, Canaletto, 1730s

Campo Santa Maria Zobenigo, Venice

1730s · The Metropolitan Museum of Art

The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right, Canaletto, 1730s

The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right

1730s · The Metropolitan Museum of Art

Campo Sant'Angelo, Venice, Canaletto, 1730s

Campo Sant'Angelo, Venice

1730s · The Metropolitan Museum of Art

The Grand Canal in Venice from Palazzo Flangini to Campo San Marcuola, Canaletto, about 1738

The Grand Canal in Venice from Palazzo Flangini to Campo San Marcuola

about 1738 · J. Paul Getty Museum

On view at National Gallery of Art

Museum page
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ginevra de' Benci [obverse], c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

On the same theme · Statue

All works on the theme
Marie-Thérèse, the Sculptor at Work, and a Sculpture Representing a Greek Athlete (Marie-Thérèse, sculpteur au travail et sculpture représentant un athlète grec, Pablo Picasso, 1933

Pablo Picasso

Marie-Thérèse, the Sculptor at Work, and a Sculpture Representing a Greek Athlete (Marie-Thérèse, sculpteur au travail et sculpture représentant un athlète grec, 1933

Not on view · National Gallery of Art

The Surprised Bathers (Les baigneuses surprises), Pablo Picasso, 1933

Pablo Picasso

The Surprised Bathers (Les baigneuses surprises), 1933

Not on view · National Gallery of Art

Sculptor and Model Looking at a Mirror Leaning against a Sculpted Self-Portrait (Sculpteur et modèle se regardant dans un miroir calé sur un autoportrait sculpté), Pablo Picasso, 1933

Pablo Picasso

Sculptor and Model Looking at a Mirror Leaning against a Sculpted Self-Portrait (Sculpteur et modèle se regardant dans un miroir calé sur un autoportrait sculpté), 1933

Not on view · National Gallery of Art

An Unattractive Woman Before the Sculpture of an Athletic Marie-Thérèse Leaning on a Self-Portrait of the Sculptor (Femme laide devant la sculpture d'une Marie-Thérèse athlétique sur un autoportrait du sculpteur), Pablo Picasso, 1933

Pablo Picasso

An Unattractive Woman Before the Sculpture of an Athletic Marie-Thérèse Leaning on a Self-Portrait of the Sculptor (Femme laide devant la sculpture d'une Marie-Thérèse athlétique sur un autoportrait du sculpteur), 1933

Not on view · National Gallery of Art

Four Nudes and Sculpted Head (Quatres femmes nues et tete sculptee), Pablo Picasso, 1934

Pablo Picasso

Four Nudes and Sculpted Head (Quatres femmes nues et tete sculptee), 1934

Not on view · National Gallery of Art

A Marble Horse on the Quirinal Hill [recto], Raphael, c. 1513

Raphael

A Marble Horse on the Quirinal Hill [recto], c. 1513

Not on view · National Gallery of Art

Il Morbetto (The Plague), Marcantonio Raimondi after Raphael, c. 1512/1513

Raphael

Il Morbetto (The Plague), c. 1512/1513

Not on view · National Gallery of Art

Christ Presented to the People: Oblong Plate, Rembrandt van Rijn, 1655

Rembrandt van Rijn

Christ Presented to the People: Oblong Plate, 1655

Not on view · National Gallery of Art