René MagritteBelgian, 1898–1967Le Viol
May one see it?
Not receiving at present
J. Paul Getty Museum
Los Angeles, United States
It belongs to the collection, but is not on display at present.
- Checked
- In this state since
- Source
- The museum
Particulars
- Accession number
- 85.XM.517.15
In the catalog
Sources
- J. Paul Getty Museum
- Image: J. Paul Getty Museum — ; In Copyright
Meanwhile, in the life of René Magritte
The whole life1930–1954 · Residence
René Magritte House
after 1945
Real commercial success arrives
By Magritte’s own account, real commercial success came only after 1945, and from then on he did not worry about money; in an interview in 1962 he declared that he would rather stop selling and live in poverty than become a businessman.
1945
Joins the Party a third time; writes an “Explanation”
In 1945 — according to Georgette, out of gratitude to the Russians — he joined the Communist Party again and the same year wrote a confidential “Explanation” to communist intellectuals. He feared that art would be reduced to propaganda for Marxism through easily understood styles and subjects, and equated such an approach with the methods of Nazi propaganda.
1946
The manifesto “Surrealism in Full Sunlight”
Renouncing the violence and pessimism of his earlier work, he signed, with several other Belgian artists, the manifesto “Surrealism in Full Sunlight”.
1947–1948
Fake Picassos and forged banknotes
During the lean postwar years Magritte supported himself by producing fake Picassos, Braques and de Chiricos, later expanding into the printing of forged banknotes; he did it together with his brother Paul and the Surrealist Marcel Mariën, his “surrogate son”, who was left with the task of selling it all.
