L'Ascension du Christ, Pérugin, XVe siècle (1400 - 1500)
Pietro Perugino, portraitPietro PeruginoItalian, 1448–1523

L'Ascension du Christ

15th century (1400–1500) · Painting

May one see it?

Unknown

Musée du Louvre

Paris, France

The owner is known; whether it is on view today is not.

In this state since
Source
The museum

About the painting

Ascension of Christ is a c. 1496–1499 oil painting by Pietro Perugino, now in the musée des Beaux-Arts de Lyon. It was the prototype for his Sansepolcro Altarpiece. it has dimensions of 325 centimeters in height and 265 in width.

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Particulars

Accession number
A 134

In the catalog

Sources

  • Musée du Louvre
  • Image: Musée du Louvre — © 2023 Musée du Louvre / Département des Peintures

Meanwhile, in the life of Pietro Perugino

The whole life
  1. 1448

    Born

  2. c. 1470

    Verrocchio's apprentice in Florence

    Around 1470 (the date of his first stay in Florence is disputed) Perugino comes to the city and, according to Vasari, is apprenticed in the workshop of Andrea del Verrocchio alongside Leonardo da Vinci, Domenico Ghirlandaio, Lorenzo di Credi and Filippino Lippi; Piero della Francesca is thought to have taught him perspective. Together with the young Florentine artists he is among the first to take up oil painting, borrowed from the Flemish and still unknown in Umbria.

  3. 1472

    Enrolled as a master in the Confraternity of St Luke

    Perugino appears to have completed his apprenticeship: in 1472 he is enrolled as a master in the Confraternity of Painters of St Luke.

  4. c. 1481

    Summoned to Rome to paint the Sistine Chapel

    Already a renowned master, Perugino is invited by Pope Sixtus IV to Rome, among the best artists of Italy — Botticelli, Ghirlandaio, Cosimo Rosselli, Luca Signorelli and others — to take part in painting the Sistine Chapel.

  5. 1486–1499

    Two studios: in Florence and in Perugia

    Between 1486 and 1499 Perugino works mainly between Florence and Perugia, maintaining a studio in each city. In the 1480s and 1490s he is one of the most celebrated artists of Italy.

  6. 1496

    The money-changers' guild commissions the Cambio hall

    The money-changers' guild of Perugia asks Perugino to decorate the Sala delle Udienze of the Collegio del Cambio, with the humanist scholar Francesco Maturanzio as consultant. The scheme — a vault with the seven planets and the signs of the zodiac, and sacred subjects on the walls — may have been finished by 1500; on the mid-pilaster Perugino placed his own bust-form portrait.

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