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  3. Judith and Holofernes
Judith and Holofernes, Michael Wolgemut, 1493
Michael Wolgemut, portraitMichael WolgemutGerman, 1434–1519

Judith and Holofernes

1493 · Print · 18.26 × 35.88 cm

May one see it?

Not receiving at present

Minneapolis Institute of Art

Minneapolis, United States

It belongs to the collection, but is not on display at present.

Checked
9 days ago
In this state since
Sep 25, 2026
Source
The museum
On the mapMuseum page

About the work

Early on, Judith was a hero, the resourceful widow who saved her people by decapitating the Assyrian general Holofernes. In the 12th-century Speculum Virginum she symbolized the triumph of humility over pride; in other handbooks she prefigured the Virgin Mary. Yet in the late 15th century, Judith became a femme fatale.

In this multi-scene narrative, Judith is still more victor than villain. At top she ventures from the Israelite city of Bethulia with her maid, intent on charming the enemy Holofernes into complacency so she can murder him. In the foreground, we see the urgency of her mission: Holofernes' army is overwhelming Bethulia's. After plying the general with wine, Judith severs his head and takes it back to Bethulia to display from the battlements, visible at the top left.

Minneapolis Institute of Art

Particulars

1493 · aged 59
14341519
Accession number
P.10, 960

In the catalog

PrintsWoodcutRenaissance15th centuryGermany

Sources

  • Minneapolis Institute of Art
  • Image: Minneapolis Institute of Art — public domain

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The Martyrdom of Saint Simon of Trent from Schedel Weltchronik (Schedel’s World History), Plate 23 from Woodcuts from Books of the 15th Century, Michel Wolgemut, 1493, portfolio assembled 1929

The Martyrdom of Saint Simon of Trent from Schedel Weltchronik (Schedel’s World History), Plate 23 from Woodcuts from Books of the 15th Century

1493, portfolio assembled 1929 · Not on view · Art Institute of Chicago

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