André KertészAmerican, 1894–1985Jenő Kertész
May one see it?
Not receiving at present
Art Institute of Chicago
Chicago, United States
It belongs to the collection, but is not on display at present.
- Checked
- In this state since
- Source
- The museum
Particulars
- Accession number
- 2012.55
What it shows
In the catalog
Sources
- Art Institute of Chicago
- Image: Art Institute of Chicago — © the artist or rights holder
Meanwhile, in the life of André Kertész
The whole life1917
First publication in Érdekes Újság
While he is serving in the Austro-Hungarian army, his photographs are first published, in the magazine Érdekes Újság.
1918
Meets Erzsebet Salomon
With peace in 1918 he returns to the stock exchange, where he meets his future wife Erzsebet Salomon (later Elizabeth Saly), who also works there, and begins to pursue her romantically; throughout his whole career he uses Elizabeth as a model for his photographs.
1923
Turns down a silver medal over the bromoil process
The Hungarian Amateur Photographer’s Association selects one of his photographs for its silver award on condition that he print it by the bromoil process; Kertész dislikes this, turns down the medal and is given a diploma from the association instead.
26 June 1925
A photograph on the cover of Érdekes Újság
The Hungarian news magazine Érdekes Újság uses one of his photographs for its cover, giving him widespread publicity; by that time he is determined to photograph the sights of Paris and join its artistic culture.
September 1925
Moves to Paris against his family’s wishes
He leaves for Paris, then the artistic capital of the world, against his family’s wishes, leaving behind his mother, his unofficial fiancée Elizabeth, both brothers and his uncle Hoffmann, who dies shortly afterward; Jenő later emigrates to Argentina. Soon after arriving he changes his first name from Andor to André, which he keeps for the rest of his life; at first he takes commissions from several European magazines, in Germany, France, Italy and Great Britain, and then works for VU, France’s first illustrated magazine.
1927
His first solo exhibition at the Au Sacre du Printemps gallery
Jan Slivinsky presents 30 of his photographs at the “Sacre du Printemps Gallery”, and Kertész becomes the first photographer to have a one-man exhibition. At the show Paul Dermée dubs him “Brother Seer” and “Brother Seeing Eye”, alluding to a medieval monastery where all the monks were blind but one; Kertész has become connected with members of the growing Dada movement.
