Grant WoodAmerican, 1891–1942January
May one see it?
Not receiving at present
Art Institute of Chicago
Chicago, United States
It belongs to the collection, but is not on display at present.
- Checked
- In this state since
- Source
- The museum
About the work
This impressive drawing relates to a series of lithographs—which Wood planned but never completed—representing all the seasons and months of the year. He made finished drawings depicting four of the months, and this is the only subject of which he also made a painting. Contrary to the usual evolution of a composition, he made the lithograph first, in 1937, then this drawing, in 1938, and finally the painting, in 1940.
Art Institute of ChicagoCC BY 4.0
Particulars
- Accession number
- 2015.219
In the catalog
Sources
- Art Institute of Chicago
- Image: Art Institute of Chicago — © the artist or rights holder
Meanwhile, in the life of Grant Wood
The whole life1930s
Helps Curry and Benton return to the Midwest
John Steuart Curry and Thomas Hart Benton, who with Wood are the artists most associated with Regionalism, returned to the Midwest thanks to his encouragement; he helped them find teaching positions at colleges, Curry in Wisconsin and Benton in Missouri.
1934–1941
A colleague, Lester Longman, tries to get Wood fired
Wood was a closeted homosexual, and a colleague at the university, Lester Longman, made an unsuccessful attempt to have him fired on explicit moral grounds and for his advocacy of regionalism. The university administration dismissed the allegations.
1934–1941
Mentor to students, among them Elizabeth Catlett
At the university Wood supervised mural-painting projects, mentored students including Elizabeth Catlett, produced works of his own and became a key part of the university’s cultural community.
1935–1938
Marriage to Sara Sherman Maxon
From 1935 to 1938 Wood was married to Sara Sherman Maxon; friends considered the marriage a mistake for him.
1940
Hired to depict the filming of “The Long Voyage Home”
In 1940 Wood and eight other prominent American artists were hired to document and interpret dramatic scenes and characters during the production of “The Long Voyage Home”, a film adaptation of Eugene O’Neill’s plays.
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