Boris Kustodiev1878–1927Иней
Can I see it?
Unknown
Where is “Иней” now? Collection: State Russian Museum, Saint Petersburg. Unknown.
Saint Petersburg, Russia
The owner is known; whether it is on view today is not.
- In this state since
- Source
- The museum
About the painting
Museum text in Russian
Художник в равной мере талантливо проявил себя и в других жанрах живописи, прежде всего в пейзаже. В этом жанре он работал всю жизнь, но все же в 1910-х, в эпоху увлечения синтетическими поисками, к пейзажу он обращался реже, чем ранее. Первые виды Петербурга Кустодиев написал в 1916–1917 годах, и они несут печать его живописных поисков тех лет. Таков холст «Иней» (1917), запечатлевший сказку снега и солнца, по мотиву близкий многочисленным «масленицам» и «балаганам» тех лет. Круглов В.Ф. Кустодиев: между лирикой и гиперболой // Борис Михайлович Кустодиев. К 125-летию со дня рождения. СПб, 2003. С. 24.
Read on
Праздничный взгляд на реальность, интерес к скромным проявлениям человеческого бытия ощущается в холсте «Иней», написанном из окна квартиры художника на Введенской улице в Петрограде. Картина полна радости, излучает оптимизм и надежду на лучшее. Каталог выставки в Малаге «Времена года. Произведения из собрания Русского музея». 2015. С. 37.
Впервые экспонировалась на выставке «Русский пейзаж» (Пг, 1918) с авторским названием «Петербург. Вид из окна».
State Russian Museum
Details
- Accession number
- Ж-11096
What it shows
In the catalog
Sources
- State Russian Museum
- Image: State Russian Museum — © State Russian Museum
In the life of Boris Kustodiev
The whole life1915
“Autumn Violins” at the Art Theatre, and nightmares
Kustodiev came to Moscow to design I. D. Surguchev's Autumn Violins at the Art Theatre already gravely ill: at night he screamed with pain, haunted by the same nightmare of black cats sinking their claws into his back and tearing his vertebrae.
1915
Settles on Vvedenskaya Street
After renting a flat on Yekateringofsky Prospekt in 1914, from 1915 until the end of his life Kustodiev lived in E. P. Mikhailov's apartment house at 7 Vvedenskaya Street.
1916
Surgery and paralysis: confined to a wheelchair
When the pain in his arm returned, Kustodiev underwent surgery in Petrograd: the arm was saved, but his legs began to fail. In his last years he was confined to a wheelchair and painted lying down — and it was then that he created his brightest, most joyful works.
summer 1917
A summer at the Konkala sanatorium in Vyborg
After his second operation Kustodiev spent the summer at the Konkala sanatorium in Vyborg, painting there portraits of Countess S. A. Grabowska against a pine park, of Lopatina and of Anita Budengof, the picture “On the Bridge” and the landscapes “Konkola (Finland)” and “Forest Lake at Konkola”.
1918
Decorates Petrograd for the first anniversary of October
After the Revolution Kustodiev helped decorate Petrograd for the first anniversary of the October Revolution, and drew posters, popular prints and pictures on revolutionary themes.
1918–1921
Opera designs: “The Snow Maiden”, “The Tsar's Bride”
His opera designs were a success: “The Snow Maiden” for the Bolshoi Theatre (1918, never staged), “The Tsar's Bride” at the Bolshoi Opera Theatre of the People's House (1920), and set and costume designs for Serov's “The Power of the Fiend” at the former Mariinsky Theatre (1921).
