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Игральные карты. Эскиз, Ivan Bilibin, 1911
Ivan Bilibin, portraitIvan Bilibin1876–1942

Игральные карты. Эскиз

1911 · Drawing · 18.2 × 24.1 cm

Can I see it?

Unknown

Where is “Игральные карты. Эскиз” now? Collection: State Russian Museum, Saint Petersburg. Unknown.

State Russian Museum

Saint Petersburg, Russia

The owner is known; whether it is on view today is not.

In this state since
Source
The museum
On the mapMuseum page

Details

Accession number
Р-53027

What it shows

Head-gearWomen's clothingFolk costume

In the catalog

Drawings & watercolorsInkModernism20th century

Sources

In the life of Ivan Bilibin

The whole life

  1. 1910

    Leaves the Union of Russian Artists

    Because of differences in creative approach, Bilibin left the Union of Russian Artists; the same year he rejoined the World of Art.

  2. 1911

    State Papers commissions: postcards, posters, envelopes

    The State Papers Department hired Bilibin to illustrate ball programmes, exhibition and book posters, postcards for the Red Cross Society of St Eugenia, and envelopes and stationery with Russian bogatyrs. The same year saw Roslavlev's fairy tales published with his illustrations.

  3. late 1912

    Common-law marriage to Renée O'Connell

    While still married to Maria Chambers (they effectively separated after 1912), Bilibin entered a common-law marriage with his former student at the Society's school, the Paris-born artist Renée O'Connell, fifteen years his junior. Together they travelled around Crimea to draw.

More by Ivan Bilibin

All works
Пристань. Эскиз декорации к опере Н.А.Римского-Корсакова «Садко», Ivan Bilibin, 1913

Пристань. Эскиз декорации к опере Н.А.Римского-Корсакова «Садко»

1913 · State Russian Museum

Эскиз костюма к спектаклю Эжена Скриба «Стакан воды», Ivan Bilibin, 1930

Эскиз костюма к спектаклю Эжена Скриба «Стакан воды»

1930 · State Russian Museum

Эскиз декорации к опере Н.А.Римского-Корсакова «Сказание о невидимом граде Китеже и деве Февронии», Ivan Bilibin, 1934

Эскиз декорации к опере Н.А.Римского-Корсакова «Сказание о невидимом граде Китеже и деве Февронии»

1934 · State Russian Museum

Эскиз декорации к опере Римского-Корсакова «Сказание о невидимом граде Китеже и деве Февронии», Ivan Bilibin, 1934

Эскиз декорации к опере Римского-Корсакова «Сказание о невидимом граде Китеже и деве Февронии»

1934 · State Russian Museum

На Волге. Жигули, Ivan Bilibin, 1890

На Волге. Жигули

1890 · State Russian Museum

Пейзаж. Русский домик, Ivan Bilibin, 20th century

Пейзаж. Русский домик

20th century · Tchaikovsky Art Gallery

Витязь. Алеша Попович, Ivan Bilibin, 1900s

Витязь. Алеша Попович

1900s · Yaroslavl Art Museum

Пир у князя Владимира, Ivan Bilibin, 1901

Пир у князя Владимира

1901 · State Russian Museum

On view at State Russian Museum

Museum page
Два овала, Vasily Kandinsky, 1919

Vasily Kandinsky

Два овала, 1919

Синий гребень, Vasily Kandinsky, 1917

Vasily Kandinsky

Синий гребень, 1917

Импровизация 11, Vasily Kandinsky, 1910

Vasily Kandinsky

Импровизация 11, 1910

Reply of the Zaporozhian Cossacks, Ilya Repin, 1880–1891

Ilya Repin

Reply of the Zaporozhian Cossacks, 1880–1891

Автопортрет (Художник), Kazimir Malevich, 1933

Kazimir Malevich

Автопортрет (Художник), 1933

Red Cavalry Riding, Kazimir Malevich, c. 1932

Kazimir Malevich

Red Cavalry Riding, c. 1932

На жатву (Марфа и Ванька), Kazimir Malevich, 1928-1929

Kazimir Malevich

На жатву (Марфа и Ванька), 1928-1929

Черный квадрат, Kazimir Malevich, c. 1923

Kazimir Malevich

Черный квадрат, c. 1923

On the same theme · Head-gear

All works on the theme
[Kopf der Mutter Rembrandts; The Artist's Mother: Head Only, Full Face; Tête de la mere de Rembrandt], Rembrandt, 1628

Rembrandt van Rijn

[Kopf der Mutter Rembrandts; The Artist's Mother: Head Only, Full Face; Tête de la mere de Rembrandt], 1628

Herzog Anton Ulrich Museum

Die alte Frau, Rembrandt, 1730–1775

Rembrandt van Rijn

Die alte Frau, 1730–1775

Herzog Anton Ulrich Museum

[Ein Bauer mit hoher Mütze und Gehstock; A Peasant in a High Cap, Standing Leaning on a Stick; Juif à grand bonnet], Rembrandt, 1639

Rembrandt van Rijn

[Ein Bauer mit hoher Mütze und Gehstock; A Peasant in a High Cap, Standing Leaning on a Stick; Juif à grand bonnet], 1639

Herzog Anton Ulrich Museum

[Bildnis der Mutter des Künstlers mit einem Tuch als Kopfbedeckung; Kopf der Mutter Rembrandts; The Artist's Mother in a Cloth Headdress, Looking Down: Head Only; Tête de la mere de Rembrandt], Rembrandt, 1633

Rembrandt van Rijn

[Bildnis der Mutter des Künstlers mit einem Tuch als Kopfbedeckung; Kopf der Mutter Rembrandts; The Artist's Mother in a Cloth Headdress, Looking Down: Head Only; Tête de la mere de Rembrandt], 1633

Herzog Anton Ulrich Museum

Die Bettlerin, Rembrandt, 1755

Rembrandt van Rijn

Die Bettlerin, 1755

Herzog Anton Ulrich Museum

[Drei weibliche Kopfstudien, eine davon schlafend; Three Heads of Women: One Asleep; Trois têtes de femmes, dont une qui dort], Rembrandt, 1637

Rembrandt van Rijn

[Drei weibliche Kopfstudien, eine davon schlafend; Three Heads of Women: One Asleep; Trois têtes de femmes, dont une qui dort], 1637

Herzog Anton Ulrich Museum

[Ein Pole mit einem Gehstock; Polander Leaning on a Stick; Polonois portant sabre et bâton], Rembrandt, 1631

Rembrandt van Rijn

[Ein Pole mit einem Gehstock; Polander Leaning on a Stick; Polonois portant sabre et bâton], 1631

Herzog Anton Ulrich Museum

[Alter Mann mit gespaltener Pelzmütze; Old Man with a Divided Fur Cap; Vieillard à barbe carrée], Rembrandt, 1640

Rembrandt van Rijn

[Alter Mann mit gespaltener Pelzmütze; Old Man with a Divided Fur Cap; Vieillard à barbe carrée], 1640

Herzog Anton Ulrich Museum