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  3. House, Upstate New York
House, Upstate New York, Walker Evans, 1931
Walker Evans, portraitWalker EvansAmerican, 1903–1975

House, Upstate New York

1931 · Photograph

May one see it?

Not receiving at present

National Gallery of Art

Washington, D.C., United States

It belongs to the collection, but is not on display at present.

Checked
2 days ago
In this state since
Aug 19, 2026
Source
The museum's own collection data
On the mapMuseum page

Particulars

1931 · aged 28
19031975
Accession number
1990.38.4

What it shows

DomesticExteriorNew York

In the catalog

PhotographsGelatin silver printModernism20th centuryAmerican

Sources

  • National Gallery of Art: the museum's own open data · fetched 8 days ago
  • Image: National Gallery of Art — © the artist or rights holder

Meanwhile, in the life of Walker Evans

The whole life
  1. 1927–1929

    A Wall Street clerk and his New York friends

    From 1927 to 1929 Evans is a clerk for a stockbroker firm on Wall Street; among his friends in New York's literary and art crowd are John Cheever, Hart Crane and Lincoln Kirstein.

  2. 1930

    Three photographs in Hart Crane's “The Bridge”

    Three of Evans's photographs, of the Brooklyn Bridge, are published in Hart Crane's poetry book “The Bridge”.

  3. May – June 1933

    An assignment in Cuba

    In May and June 1933 Evans takes photographs in Cuba on assignment for Lippincott, the publisher of Carleton Beals' “The Crime of Cuba”, a “strident account” of the dictatorship of Gerardo Machado. He documents street life, the presence of police, beggars and dockworkers in rags, and other waterfront scenes; 31 of his photographs will appear in Beals' book.

  4. May – June 1933

    Drinking with Hemingway in Cuba

    In Cuba Evans drinks nightly with Ernest Hemingway, who lends him money to extend his two-week stay by an additional week. Fearing that his photographs might be deemed critical of the government and confiscated, he leaves 46 prints with Hemingway, and helps him acquire photos from newspaper archives documenting the political violence Hemingway describes in “To Have and Have Not” (1937).

More by Walker Evans

All works
African Sculpture, Walker Evans, 1935

African Sculpture

1935 · The Museum of Modern Art

Painted Sign on Fence, Cedar Point, Ohio, Walker Evans, 1930s

Painted Sign on Fence, Cedar Point, Ohio

1930s · Not on view · National Gallery of Art

Coney Island, New York, Walker Evans, 1928 or 1929

Coney Island, New York

1928 or 1929 · Not on view · National Gallery of Art

Manhattan, Walker Evans, c. 1928

Manhattan

c. 1928 · Not on view · National Gallery of Art

New York City, Walker Evans, 1928-1929

New York City

1928-1929 · Not on view · National Gallery of Art

Coney Island, New York, Walker Evans, 1928 or 1929

Coney Island, New York

1928 or 1929 · Not on view · National Gallery of Art

Untitled, Walker Evans, c. 1928

Untitled

c. 1928 · Not on view · The Museum of Modern Art

Untitled, Walker Evans, c. 1928

Untitled

c. 1928 · Not on view · The Museum of Modern Art

Neighbors at National Gallery of Art

Museum page
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ginevra de' Benci [obverse], c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888