Gustave BaumannAmerican, 1881–1971Hillside Woods
May one see it?
Not receiving at present
Minneapolis Institute of Art
Minneapolis, United States
It belongs to the collection, but is not on display at present.
- Checked
- In this state since
- Source
- The museum
About the work
In 1917, the year before Gustave Baumann settled in Santa Fe, New Mexico, he visited his wealthy friend Lydia Avery Coonley Ward at her western New York estate, called Hillside. The print Hillside Woods originated during that trip. Baumann had recently ordered his own small printing press from a Chicago supplier and had it shipped directly to Hillside. He used the same press his entire career.
Read on
A German émigré who moved to Chicago as a child, Baumann spent a year in Munich in his mid-twenties to learn printmaking. Like German printmakers centuries earlier, he preferred making prints on a manual press. While many of his American contemporaries were following the Japanese method of inking a print (applying paper to the inked block by hand and rubbing the back of the paper to transfer the ink), Baumann liked the consistent impressions he could get by using a press. He was also something of a maverick in his use of oil-based, rather than water-based, inks, which explains how he achieved the forceful blues and greens in these hundreds of tiny, intricately carved leaves.
Minneapolis Institute of Art
Particulars
- Accession number
- 2017.69.1
In the catalog
Sources
- Minneapolis Institute of Art
- Image: Minneapolis Institute of Art — © Minneapolis Institute of Art
