Het martelaarschap van Andreas, Hendrick Goltzius, 1577 - 1582
Hendrick Goltzius, portraitHendrick GoltziusDutch, 1558–1617

Het martelaarschap van Andreas

1577 - 1582 · Print

Can I see it?

Unknown

Where is “Het martelaarschap van Andreas” now? Collection: Rijksmuseum, Amsterdam. Unknown.

Rijksmuseum

Amsterdam, Netherlands

The owner is known; whether it is on view today is not.

Source
The museum

About the work

Museum text in Dutch

Andreas wordt gekruisigd op een X-vormig kruis; rechts naast het tafereel van zijn marteldood staat hij nogmaals afgebeeld, met zijn Andreaskruis. Onder de voorstelling tweemaal twee regels Latijn. Deze prent is onderdeel van een serie van 13 prenten van Christus (ongenummerd) en de apostelen (genummerd), meer specifiek van de martelingen die ze hebben ondergaan.

Rijksmuseum

Details

Accession number
RP-P-OB-10.390

What it shows

In the catalog

Sources

In the life of Hendrick Goltzius

The whole life
  1. 1575

    Apprenticeship with Dirck Coornhert

    His father placed Hendrick as an apprentice to the philosopher, theologian and engraver Dirck Volckertszoon Coornhert, then working in Xanten, so that his son could master the art of engraving.

  2. 1577

    Move to Haarlem

    He followed Coornhert to Haarlem, where he remained for the rest of his life. There the publisher Philips Galle hired him to engrave a series of prints on the story of Lucretia; in the following years Goltzius engraved after the designs of other artists for Coornhert and for Antwerp publishers.

  3. 1577

    Teacher: Dirck Volckertszoon Coornhert

  4. 1579

    Marriage to a wealthy widow

    At 21 he married a wealthy widow considerably older than himself. The "unequal marriage" gave him economic independence: he bought a house, opened his own engraving workshop, and two years later took on two apprentices.

  5. late 1580s

    Depression and consumption

    From the late 1580s he suffered from depression and consumption; his family life was unhappy.

  6. c. 1584

    Meeting Karel van Mander

    He met the painter and his future biographer Karel van Mander, a refugee from Flanders, who introduced him to the drawings of Bartholomeus Spranger, then working in Prague for Rudolf II. Spranger's works exerted a significant influence on Goltzius's art.

All works

On view at Rijksmuseum

Museum page

On the same theme · Crucifixion of Andrew: he is undressed and tied to the cross

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