Hermine Gallia, Gustav Klimt, c. 1904
Gustav Klimt, portraitGustav KlimtAustrian, 1862–1918

Hermine Gallia

c. 1904 · Drawing

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Not on view at present

Where is “Hermine Gallia” now? Collection: The Cleveland Museum of Art, Cleveland. Not on view at present. Checked September 29, 2026.

The Cleveland Museum of Art

Cleveland, United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

About the work

Gustav Klimt created this drawing in preparation for a painted portrait, now in the collection of the National Gallery, London. Both depict Hermine Gallia, née Hamburger, who belonged to a wealthy Jewish family in Vienna. Through vanguard circles in the city, she met the artist and commissioned a canvas of her own likeness. This sheet may have been drawn from life, given its loose and sketchlike facture, seemingly meant to quickly record Gallia's form on the elaborate white dress in which she posed.

The Cleveland Museum of Art

Details

Accession number
1972.312

In the catalog

Sources

In the life of Gustav Klimt

The whole life
  1. 1897–1917

    Society portraits of Viennese ladies

    Over twenty years Klimt painted nearly twenty society portraits of women, which gave him financial independence; Carl Moll introduced him to many of the sitters, most of them from the Jewish upper bourgeoisie. In the portraits the ladies are hidden in sumptuous clothing, their heads and hands seeming to float detached from reality.

  2. 1900–1907

    He returns the advance and keeps the paintings

    The state commission refused to accept the three “Faculty Paintings”; Klimt told the minister he would return the 60,000-krone advance, refused to work for the Austrian state again and kept the pictures. The ministry demanded them, but Klimt did not open the door to the removal men — and the affair ended in his victory.

  3. 1902

    Son born: Otto Zimmermann

  4. 1903

    His first solo show at the Secession

    The Secession's first solo exhibition was devoted to Klimt and proved exceptionally successful: the artist earned 36,000 kronen.

  5. 1905

    Klimt and his group leave the Secession

    Klimt and his “stylist” followers, who held that art should enter every sphere of life, fell out with the “naturalists”; the decision against Klimt's group was carried by a single vote. For the next three years the group had no joint exhibitions.

  6. 1906

    The “Kunstschau” group

    A year after the split Klimt formed the “Kunstschau” group, or “Klimt group”, which included Carl Moll, Otto Wagner and other leading Austrian artists.

All works

On view at The Cleveland Museum of Art

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