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  3. Hades
Hades, George Cruikshank, 1850s
George Cruikshank, portraitGeorge CruikshankEnglish, 1792–1878

Hades

1850s · Oil painting · 20 × 25.4 cm

About the painting

In Greek mythology Hades is the Lord of the Underworld. 'Hades' has also been used to refer to the dwelling place of the dead, over which the Lord of the Underworld presided. In this painting by George Cruikshank (1812-1870), it is unclear as to whether the Hades of the title refers to a person or a place, because central to the chaotic scene is a large and menacing creature.

Although it is unconnected to this oil painting, Cruikshank also produced an engraved Comic Alphabet, 1836, for which the letter 'O' was illustrated by a scene of the hero Orpheus playing a violin for Hades and his wife Persephone.

Cruikshank is best known for his humorous and satirical art work. Many of his images deal with the darker aspects of life. He also worked as an illustrator for the author Charles Dickens (1812-1870).

Victoria and Albert Museum

Particulars

Accession number
9569

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May one see it?

Not receiving at present

Victoria and Albert Museum

London, United Kingdom

It belongs to the collection, but is not on display at present.

Checked
12 days ago
In this state since
Sep 25, 2026
Source
The museum
On the mapMuseum page

What it shows

Hades

In the catalog

PaintingsOilBritish paintingGreat Britain

Sources

  • Victoria and Albert Museum
  • Image: Victoria and Albert Museum — © Victoria and Albert Museum, London
Sketches of Head, Arm, and Kneeling Figure, George Cruikshank

Sketches of Head, Arm, and Kneeling Figure

Not on view · National Gallery of Art

Earl and Countess of Somerset, Accomplices inthe Murder of Sir Thomas Overbury, George Cruikshank

Earl and Countess of Somerset, Accomplices inthe Murder of Sir Thomas Overbury

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Street Perspective with Places of Business Labeled, George Cruikshank

Street Perspective with Places of Business Labeled

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George Cruikshank (decorative signature), George Cruikshank

George Cruikshank (decorative signature)

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Half-Length of a Lawyer and Other Sketches, George Cruikshank

Half-Length of a Lawyer and Other Sketches

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Sketches of Grotesque Faces, George Cruikshank

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Not on view · National Gallery of Art

Sketch of Mounted Hussar, George Cruikshank

Sketch of Mounted Hussar

Not on view · National Gallery of Art

Sketch of Octagon Recess with Columns, George Cruikshank

Sketch of Octagon Recess with Columns

Not on view · National Gallery of Art

Bird of Paradise, Hashimoto Chitaka, 2026

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Bird of Paradise, 2026

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Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

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Bow Before the Curtain Falls, 2024

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Summer, 2024

Red Flow, Ishizuka Genta, 2024

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Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Raub der Proserpina, Gerard de Lairesse, 1660–1711

Gerard de Lairesse

Raub der Proserpina, 1660–1711

Herzog Anton Ulrich Museum

Der Raub der Proserpina, Joseph Heintz the Elder

Joseph Heintz the Elder

Der Raub der Proserpina

Gemäldegalerie Alte Meister

Orpheus Descending into Hades, Attributed to Moderno, late 15th - early 16th century

Moderno

Orpheus Descending into Hades, late 15th - early 16th century

National Gallery of Art

[Cupido schießt seinen Pfeil auf Pluto; Cupid shooting his arrow at Pluto], Antonio Tempesta, 1606–1650

Antonio Tempesta

[Cupido schießt seinen Pfeil auf Pluto; Cupid shooting his arrow at Pluto], 1606–1650

Herzog Anton Ulrich Museum

[Landschaft mit dem Raub der Proserpina; Pluto abducting Proserpine; Pluton enlevant Proserpine], Antonio Tempesta, 1606–1650

Antonio Tempesta

[Landschaft mit dem Raub der Proserpina; Pluto abducting Proserpine; Pluton enlevant Proserpine], 1606–1650

Herzog Anton Ulrich Museum

Orpheus und Eurydike, Peter Vischer d. J.

Peter Vischer d. J.

Orpheus und Eurydike

Skulpturensammlung Dresden