Håbet, Angelica Kauffmann, 1765
Angelica Kauffmann, portraitAngelica KauffmannSwiss, 1741–1807

Håbet

1765 · Etching

Can I see it?

Not on view at present

Where is “Håbet” now? Collection: SMK — National Gallery of Denmark, Copenhagen. Not on view at present. Checked September 29, 2026.

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

Details

Accession number
KKSgb28842

In the catalog

Sources

  • SMK
  • Image: SMK — National Gallery of Denmark — public domain

In the life of Angelica Kauffmann

The whole life
  1. January 1763

    Meets the English community in Rome

    Moving to Rome in January 1763, Kauffman was introduced to the British community there; as she learned more English and continued with portraiture, she became a popular portraitist for British visitors to Rome.

  2. 1764

    Her portrait of Winckelmann

    In Rome Kauffman painted a half-length portrait of the art historian Johann Joachim Winckelmann and also made an etching of it; in August 1764 Winckelmann wrote to a friend about her popularity: she spoke Italian and German, handled French and English with ease, could be called beautiful, and in singing could vie with the best virtuosi.

  3. 1765

    A journey with Lady Wentworth: Bologna, Venice, Paris

    Accompanied by Lady Wentworth, the wife of the British ambassador, Kauffman travelled for the first time without her father, to Bologna, Venice and Paris, where she studied the works of Rubens.

  4. 1766

    Friendship with Joshua Reynolds

    Reynolds became Kauffman’s firmest friend: in his pocketbooks she often appears as “Miss Angelica” or “Miss Angel”; in 1766 he painted her portrait, and she answered with her portrait of Reynolds.

  5. June 1766

    Arrives in London

    In June 1766 Kauffman arrived in London, having been persuaded by Lady Wentworth to go with her. Lady Wentworth’s rank opened society to her, and the royal family showed her particular favour.

  6. 1767

    Marries the impostor “Count de Horn”

    In 1767 Kauffman married an impostor calling himself Count Frederick de Horn; the marriage ended in scandal: by one account it was declared void within a few months, by another the couple separated the following year.

All works

On view at SMK — National Gallery of Denmark

Museum page