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  1. Collection/
  2. Albertina/
  3. Gottvater in Halbfigur
Gottvater in Halbfigur, Guercino
Giovanni Francesco Barbieri, called Guercino, portraitGiovanni Francesco Barbieri, called GuercinoItalian, 1591–1666

Gottvater in Halbfigur

Drawing

May one see it?

Unknown: the museum keeps its counsel

Albertina

Vienna, Austria

The owner is known. Whether it is on view today, the museum does not say, and we were not trained to guess.

In this state since
Sep 27, 2026
Source
The museum's own collection data
On the mapMuseum page

Particulars

In the catalog

Drawings & watercolors

Sources

  • Albertina: the museum's own open data · fetched 8 days ago
  • Image: Albertina — Public Domain Mark 1.0

More by Giovanni Francesco Barbieri, called Guercino

All works
Samson Captured by the Philistines, Guercino, 1619

Samson Captured by the Philistines

1619 · The Metropolitan Museum of Art

La Résurrection de Lazare, Le Guerchin, 1e quart du XVIIe siècle (1600 - 1625)

La Résurrection de Lazare

first quarter of the 17th century (1600–1625) · Musée du Louvre

La Vision de saint Jérôme, Le Guerchin, 1e quart du XVIIe siècle (1600 - 1625)

La Vision de saint Jérôme

first quarter of the 17th century (1600–1625) · Musée du Louvre

Saint François en extase et saint Benoît avec un ange musicien, Le Guerchin, 1e quart du XVIIe siècle (1620)

Saint François en extase et saint Benoît avec un ange musicien

first quarter of the 17th century (1620) · Musée du Louvre

Pope Gregory XV, Guercino, about 1622–1623

Pope Gregory XV

about 1622–1623 · J. Paul Getty Museum

Assumption of the Virgin Mary, Giovanni Francesco Barbieri, called Guercino, 1623

Assumption of the Virgin Mary

1623 · State Hermitage Museum

Les Larmes de saint Pierre, Le Guerchin, 2e quart du XVIIe siècle (1625 - 1650)

Les Larmes de saint Pierre

second quarter of the 17th century (1625–1650) · Musée du Louvre

Hersilie séparant Romulus et Tatius, Le Guerchin, 2e quart du XVIIe siècle (1645)

Hersilie séparant Romulus et Tatius

second quarter of the 17th century (1645) · Musée du Louvre