Gloucester Fishing, Gordon Parks, 1942, printed later
Gordon Parks, portraitGordon ParksAmerican, 1912–2006

Gloucester Fishing

1942, printed later · Photograph

May one see it?

Not receiving at present

National Gallery of Art

Washington, D.C., United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

Particulars

Accession number
2016.117.108

What it shows

In the catalog

Sources

Meanwhile, in the life of Gordon Parks

The whole life
  1. c. 1940 (aged 28)

    Buys his first camera and teaches himself to shoot

    Struck by magazine photographs of migrant workers, at twenty-eight he buys a Voigtländer Brillant for $12.50 at a Seattle pawnshop and teaches himself photography. The clerks who develop his first roll of film applaud his work and urge him to seek a fashion assignment at Frank Murphy’s women’s clothing store in St. Paul.

  2. 1940

    Moves to Chicago on Marva Louis’s advice

    His photographs for the St. Paul store catch the eye of Marva Louis, wife of heavyweight boxing champion Joe Louis, who encourages Parks and his wife Sally Alvis to move to Chicago. There he opens a portrait business and specialises in photographs of society women.

  3. 1940

    Daughter born: Toni Parks

  4. 1941

    Exhibition of photographs of Chicago’s Black ghetto

    While chronicling the South Side Black ghetto of Chicago, he sees an exhibition of these photographs win him a photography fellowship with the Farm Security Administration (FSA); other accounts link his invitation to the FSA to the Rosenwald Fellowship of 1942.

  5. 1942

    Receives the Rosenwald Fellowship

    The Julius Rosenwald Fellowship, $200 a month with the choice of employer, rewards his work in Chicago, especially his capturing of the myriad experiences of African Americans across the city. It contributes to his being asked to join the FSA, which under Roy Stryker was chronicling the nation’s social conditions.

  6. c. 1942

    Stryker calls the picture an indictment of America

    Seeing the photograph, Stryker says it is an indictment of America that could get all of his photographers fired, and urges Parks to keep working with Watson, which leads to a series of pictures of her daily life. Parks later says his first image was overdone and not subtle.

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