Geseling van Christus

1509 · Print

May one see it?

Unknown

Rijksmuseum

Amsterdam, Netherlands

The owner is known; whether it is on view today is not.

Source: The museum

On the map Museum page

About the work

In the museum's own words — in Dutch

Christus wordt, gebonden aan een zuil, gegeseld door mannen met takkenbossen. Deze prent is onderdeel van de prentserie 'De kleine Passie', bestaande uit een titelprent en 36 bijbelse scènes (voornamelijk uit het Lijdensverhaal).

Rijksmuseum

Particulars

Accession number: RP-P-OB-1337

What it shows

Flagellation of Christ

In the catalog

Prints Renaissance 16th century

Sources

Rijksmuseum
Image: Rijksmuseum — public domain

Meanwhile, in the life of Albrecht Dürer

The whole life

1505–1507
To Bologna for the secrets of perspective
Dürer travelled to the university city of Bologna, hoping to learn the secrets of geometric perspective from its scholars. He then meant to visit Mantegna in Padua but received news of his death, which he greatly regretted afterwards.
1505–1507
Friendship with Giovanni Bellini
Dürer considered Giovanni Bellini “the best in painting”, the only Venetian master with whom he became friends. The Madonna of the Siskin may have been painted at Bellini's request.
1505–1507 · Workplace
Venice
1507
Leaving Venice: “Here I am a gentleman”
Dürer left Italy, apparently reluctantly: in one of his last letters to Pirckheimer he remarked, “Here I am a gentleman, while at home I am only a parasite.”
1507–1528 · Workplace
Nuremberg
1511
Publishes the Great Passion and the Life of the Virgin
Dürer published two woodcut series as books, the Great Passion and the Life of the Virgin, with a second edition of the Apocalypse and the 37 woodcuts of the Little Passion. His post-Venetian woodcuts developed chiaroscuro modelling.