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  3. George Sanders
George Sanders, Benjamin Cheverton, 1831
BBenjamin Cheverton

George Sanders

1831 · Bust

May one see it?

Not receiving at present

Victoria and Albert Museum

London, United Kingdom

It belongs to the collection, but is not on display at present.

Checked
13 days ago
In this state since
Sep 25, 2026
Source
The museum
On the mapMuseum page

About the sculpture

This is an ivory portrait bust of George Sanders made by Benjamin Cheverton in 1831, after a marble bust by Francis Chantrey. It is a fine portrait made with Cheverton's famous reducing machine. This piece epitomises the popularity of this material for small-scale sculpture in Britain at this time.

Read on

Benjamin Cheverton (1796-1876) was the son of a farmer and a small landowner. During the 1820s he perfected a machine capable of producing reduced miniature versions, usually in ivory, of full-size sculptures. This had been invented by his mentor, John Isaac Hawkins, and was similar to machines devised by the engineer and inventor James Watt (1736-1819). Cheverton’s machine was up and running by early 1828. He first showed products at exhibitions, and issued items which might have popular appeal, such as busts of Shakespeare or Milton. Later he took commission from owners of busts or other sculptures who desired small copies. His ivories were produced to a high standard, and he maintained that the machine itself was capable of making objects of such quality. This machine is now in the Science Museum in London. The busts were apparently finished by hand by Cheverton, as they show little trace of mechanical aid; his work shows considerable refinement and delicacy of execution.

Sir Francis Legatt Chantrey (1781-1842) was an English sculptor, painter, and patron. He was probably the most successful portrait sculptor of his day. Together with Flaxman Chantrey can be ranked as England's greatest sculptor engaging in portrait busts and statues. He was particularly skilled in carving drapery. On his death he left a fortune of £150,000 which was later bequeathed to the Royal Academy to be used for the 'Encouragement of British Fine Art in Painting and Sculpture'.

Victoria and Albert Museum

Particulars

Accession number
A.3-2016

What it shows

Sanders, George

In the catalog

SculptureIvoryRomanticism19th centuryEngland

Sources

  • Victoria and Albert Museum
  • Image: Victoria and Albert Museum — © Victoria and Albert Museum, London

More by Benjamin Cheverton

All works
Queen Victoria, Benjamin Cheverton, signed and dated 1842

Queen Victoria

signed and dated 1842 · Not on view · Victoria and Albert Museum

bust of a man formerly identified as Thomas Slingsby Duncombe MP, Benjamin Cheverton, ca. 1845 - ca. 1860

bust of a man formerly identified as Thomas Slingsby Duncombe MP

ca. 1845 - ca. 1860 · Not on view · Victoria and Albert Museum

William Huntington (ivory bust), Benjamin Cheverton, ca. 1850

William Huntington (ivory bust)

ca. 1850 · Not on view · Victoria and Albert Museum

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