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  3. Гавань на рассвете
Гавань на рассвете, Claude Lorrain, c. 1634
Claude Lorrain, portraitClaude LorrainFrench, 1600–1682

Гавань на рассвете

c. 1634 · Print · 12.6 × 19.3 cm

May one see it?

Unknown

Pushkin State Museum of Fine Arts

Moscow, Russia

The owner is known; whether it is on view today is not.

In this state since
Sep 28, 2026
Source
The museum
On the mapMuseum page

Particulars

c. 1634
16001682
Accession number
Г-129947

In the catalog

PrintsEtchingBaroque17th centuryFrance

Sources

  • Pushkin State Museum of Fine Arts
  • Image: Pushkin State Museum of Fine Arts — © Pushkin State Museum of Fine Arts

Meanwhile, in the life of Claude Lorrain

The whole life
  1. 1633–1635

    Growing fame: commissions from the French ambassador and Philip IV

    Claude’s growing reputation was shown by commissions from the French ambassador in Rome (1633) and from Philip IV of Spain (1634–35).

  2. 1634

    Admitted to the Academy of Saint Luke

    In 1634 Claude was admitted to the Academy of Saint Luke.

  3. 1635

    Recognition: his pictures are in demand

    From 1635 Claude’s work was recognised and his paintings were in great demand; his patrons included Pope Urban VIII (four works), Cardinal Bentivoglio and Prince Colonna.

  4. 1635–1638

    Pope Urban VIII commissions four paintings

    According to Baldinucci, Cardinal Guido Bentivoglio, impressed by the two landscapes Claude painted for him, recommended the artist to Pope Urban VIII; four paintings were made for the Pope in 1635–38, two large and two small on copper.

More by Claude Lorrain

All works
Pastoral Landscape, Claude Gellée, 1638

Pastoral Landscape

1638 · Minneapolis Institute of Art

The Trojan Women Setting Fire to Their Fleet, Claude Lorrain, ca. 1643

The Trojan Women Setting Fire to Their Fleet

ca. 1643 · The Metropolitan Museum of Art

Le Port de Gênes, vu de la mer, Gellée, Claude, 2e quart du XVIIe siècle (vers 1627 - 1629)

Le Port de Gênes, vu de la mer

second quarter of the 17th century (c. 1627–1629) · Musée du Louvre

Landscape with Merchants, Claude Lorrain, c. 1629

Landscape with Merchants

c. 1629 · National Gallery of Art

Siège de la Rochelle par Louis XIII, Gellée, Claude, 2e quart du XVIIe siècle (vers 1630 - 1635)

Siège de la Rochelle par Louis XIII

second quarter of the 17th century (c. 1630–1635) · Musée du Louvre

Paysage avec pâtre et troupeau, Gellée, Claude, 2e quart du XVIIe siècle (vers 1630 - 1635)

Paysage avec pâtre et troupeau

second quarter of the 17th century (c. 1630–1635) · Musée du Louvre

Marine. Soleil couchant, Gellée, Claude, 2e quart du XVIIe siècle (vers 1630 - 1635)

Marine. Soleil couchant

second quarter of the 17th century (c. 1630–1635) · Musée du Louvre

Le Pas de Suse forcé par Louis XIII, Gellée, Claude, 2e quart du XVIIe siècle (vers 1630 - 1635)

Le Pas de Suse forcé par Louis XIII

second quarter of the 17th century (c. 1630–1635) · Musée du Louvre

From the collection of Pushkin State Museum of Fine Arts

Museum page
Titus as a Monk, Rembrandt van Rijn, 1660

Rembrandt van Rijn

Titus as a Monk, 1660

Prisoners Exercising, Vincent van Gogh, 1890

Vincent van Gogh

Prisoners Exercising, 1890

Landscape with a Carriage and a Train, 1890

Landscape with a Carriage and a Train, 1890

Пейзаж в Овере после дождя (пейзаж с повозкой и поездом), Vincent van Gogh, June 1890

Vincent van Gogh

Пейзаж в Овере после дождя (пейзаж с повозкой и поездом), June 1890

Portrait of Doctor Felix Rey, Vincent van Gogh, 1889

Vincent van Gogh

Portrait of Doctor Felix Rey, 1889

Seascape at Saintes-Maries, Vincent van Gogh, 06.1888

Vincent van Gogh

Seascape at Saintes-Maries, 06.1888

The Red Vineyard, Vincent van Gogh, 1888

Vincent van Gogh

The Red Vineyard, 1888

Скрипка, Pablo Picasso, 1912

Pablo Picasso

Скрипка, 1912