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  1. Collection/
  2. Nationalmuseum/
  3. Galathea
Galathea, Francesco Albani, 17th century
Francesco Albani, portraitFrancesco AlbaniItalian, 1578–1660

Galathea

17th century · Painting

May one see it?

Unknown

Nationalmuseum

Stockholm, Sweden

The owner is known; whether it is on view today is not.

In this state since
Sep 27, 2026
Source
The museum
On the mapMuseum page

Particulars

In the catalog

PaintingsItalian paintingBaroque17th century

Sources

  • Nationalmuseum
  • Image: Nationalmuseum — Public Domain Mark 1.0

Meanwhile, in the life of Francesco Albani

The whole life
  1. 1590s

    The Carracci Academy and four years under Ludovico

    Following Reni, Albani soon moves to the so-called “Academy” run by Annibale, Agostino and Ludovico Carracci — a studio that fostered Domenichino, Lanfranco and many other painters of the Bolognese school. He studies for four years under Ludovico Carracci, through whom he secures his first public commissions.

  2. 1600

    Moves to Rome: the gallery of the Palazzo Farnese

    In 1600 Albani moves to Rome to work on the fresco decoration of the gallery of the Palazzo Farnese, which is being completed by Annibale Carracci's studio. Under Clement VIII Aldobrandini Rome enjoys administrative stability and renewed artistic patronage, and Cardinal Odoardo Farnese's support for the Bolognese Carracci establishes Bolognese dominance of Roman fresco painting for nearly two decades.

  3. 1609

    Death of Annibale Carracci; the Aldobrandini lunettes

    After Annibale Carracci's death in 1609 Albani supervises the completion of the Aldobrandini lunettes (Galleria Doria Pamphilj), left unfinished; work on them went on around 1604–5 and in 1610–13. In the “Landscape with the Assumption” he shows how fully he has absorbed his mentor's landscape style: small figures move against a grand landscape.

  4. 1618

    Returns to Bologna after his wife's death; second marriage

    After the death of his first wife, Anna Rusconi of Rome, Albani returns to Bologna, where he marries a second time, Doralice Fioravanti; Bologna remains his home for the rest of his life.

  5. after 1625

    Back in Bologna: a large studio

    After working in Rome from 1623 to 1625, Albani returns to Bologna and runs a large studio that rivals Reni's for the most important public commissions. His main work becomes large-scale altarpieces for Bolognese and provincial churches and easel pictures for an international clientele.

  6. 4 October 1660

    Died

More by Francesco Albani

All works
Salmacis et Hermaphrodite, Albani, Francesco, Fin du XVIe siècle - début du XVIIè siècle (1575 - 1625)

Salmacis et Hermaphrodite

1575–1625 · Musée du Louvre

La Nativité, Albani, Francesco, 1e quart du XVIIe siècle (1600 - 1625)

La Nativité

first quarter of the 17th century (1600–1625) · Musée du Louvre

L'Annonciation, Albani, Francesco, XVIIe siècle (1600 - 1700)

L'Annonciation

17th century (1600–1700) · Musée du Louvre

Actéon métamorphosé en cerf, Albani, Francesco, 1e quart du XVIIe siècle (1600 - 1625)

Actéon métamorphosé en cerf

first quarter of the 17th century (1600–1625) · Musée du Louvre

Apollon et Daphné, Albani, Francesco, 1e quart du XVIIe siècle (vers 1615 - 1620)

Apollon et Daphné

first quarter of the 17th century (c. 1615–1620) · Musée du Louvre

Le Christ et la Madeleine, Albani, Francesco, 1e quart du XVIIe siècle (vers 1620 - 1625)

Le Christ et la Madeleine

first quarter of the 17th century (c. 1620–1625) · Musée du Louvre

Le Repos de Vénus et de Vulcain, dit aussi à tort Le Feu, Albani, Francesco, 1e tiers du XVIIe siècle (1621 - 1633)

Le Repos de Vénus et de Vulcain, dit aussi à tort Le Feu

first third of the 17th century (1621–1633) · Musée du Louvre

Adonis conduit près de Vénus par les amours, dit aussi à tort L'Eau, Albani, Francesco, 1e tiers du XVIIe siècle (1621 - 1633)

Adonis conduit près de Vénus par les amours, dit aussi à tort L'Eau

first third of the 17th century (1621–1633) · Musée du Louvre

From the collection of Nationalmuseum

Museum page
Acacia in Flowers, Vincent van Gogh

Vincent van Gogh

Acacia in Flowers

View over the Sea, Claude Monet, 1882

Claude Monet

View over the Sea, 1882

View from Voorzan, Claude Monet

Claude Monet

View from Voorzan

Portrait of an Old Woman, Rembrandt, 1655

Rembrandt van Rijn

Portrait of an Old Woman, 1655

Portrait of an Old Man, Rembrandt, 1655

Rembrandt van Rijn

Portrait of an Old Man, 1655

"The Kitchen Maid", Rembrandt, 1651

Rembrandt van Rijn

"The Kitchen Maid", 1651

St Peter, Rembrandt, 1632

Rembrandt van Rijn

St Peter, 1632

A Young Woman in Profile, with a Fan, Rembrandt, 1632

Rembrandt van Rijn

A Young Woman in Profile, with a Fan, 1632