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  1. Collection/
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  3. La Nativité
La Nativité, Albani, Francesco, 1e quart du XVIIe siècle (1600 - 1625)
Francesco Albani, portraitFrancesco AlbaniItalian, 1578–1660

La Nativité

first quarter of the 17th century (1600–1625) · Painting

Particulars

first quarter of the 17th century (1600–1625)
15781660
Accession number
INV 193

Meanwhile, in the life of Francesco Albani

The whole life
  1. 1590s

    The Carracci Academy and four years under Ludovico

    Following Reni, Albani soon moves to the so-called “Academy” run by Annibale, Agostino and Ludovico Carracci — a studio that fostered Domenichino, Lanfranco and many other painters of the Bolognese school. He studies for four years under Ludovico Carracci, through whom he secures his first public commissions.

  2. 1600

    Moves to Rome: the gallery of the Palazzo Farnese

    In 1600 Albani moves to Rome to work on the fresco decoration of the gallery of the Palazzo Farnese, which is being completed by Annibale Carracci's studio. Under Clement VIII Aldobrandini Rome enjoys administrative stability and renewed artistic patronage, and Cardinal Odoardo Farnese's support for the Bolognese Carracci establishes Bolognese dominance of Roman fresco painting for nearly two decades.

  3. 1600–1617

    Rivalry with Guido Reni in Rome

    In Rome Albani develops a mutual, though respectful, rivalry with the more successful Guido Reni, who was also heavily patronised by the Aldobrandini; at the chapel of the Quirinal Palace Albani worked under Reni.

  4. 1609

    Death of Annibale Carracci; the Aldobrandini lunettes

    After Annibale Carracci's death in 1609 Albani supervises the completion of the Aldobrandini lunettes (Galleria Doria Pamphilj), left unfinished; work on them went on around 1604–5 and in 1610–13. In the “Landscape with the Assumption” he shows how fully he has absorbed his mentor's landscape style: small figures move against a grand landscape.

More by Francesco Albani

All works

In the same room · Salle 716, Aile Denon, Niveau 1, Musée du Louvre

Museum page

1618

Returns to Bologna after his wife's death; second marriage

After the death of his first wife, Anna Rusconi of Rome, Albani returns to Bologna, where he marries a second time, Doralice Fioravanti; Bologna remains his home for the rest of his life.

  • after 1625

    Back in Bologna: a large studio

    After working in Rome from 1623 to 1625, Albani returns to Bologna and runs a large studio that rivals Reni's for the most important public commissions. His main work becomes large-scale altarpieces for Bolognese and provincial churches and easel pictures for an international clientele.

  • May one see it?

    Yes, receiving visitors

    Musée du Louvre

    Paris, France

    Room716, Aile Denon, Niveau 1

    On public display.

    Checked
    12 days ago
    In this state since
    Sep 26, 2026
    Source
    The museum
    On the mapMuseum page

    In the catalog

    PaintingsOilItalian paintingBaroque17th century

    Sources

    • Musée du Louvre
    • Image: Musée du Louvre — © 2010 GrandPalaisRmn (musée du Louvre) / Hervé Lewandowski
    Salmacis et Hermaphrodite, Albani, Francesco, Fin du XVIe siècle - début du XVIIè siècle (1575 - 1625)

    Salmacis et Hermaphrodite

    1575–1625 · Musée du Louvre

    L'Annonciation, Albani, Francesco, XVIIe siècle (1600 - 1700)

    L'Annonciation

    17th century (1600–1700) · Musée du Louvre

    Actéon métamorphosé en cerf, Albani, Francesco, 1e quart du XVIIe siècle (1600 - 1625)

    Actéon métamorphosé en cerf

    first quarter of the 17th century (1600–1625) · Musée du Louvre

    Apollon et Daphné, Albani, Francesco, 1e quart du XVIIe siècle (vers 1615 - 1620)

    Apollon et Daphné

    first quarter of the 17th century (c. 1615–1620) · Musée du Louvre

    Le Christ et la Madeleine, Albani, Francesco, 1e quart du XVIIe siècle (vers 1620 - 1625)

    Le Christ et la Madeleine

    first quarter of the 17th century (c. 1620–1625) · Musée du Louvre

    Le Repos de Vénus et de Vulcain, dit aussi à tort Le Feu, Albani, Francesco, 1e tiers du XVIIe siècle (1621 - 1633)

    Le Repos de Vénus et de Vulcain, dit aussi à tort Le Feu

    first third of the 17th century (1621–1633) · Musée du Louvre

    Adonis conduit près de Vénus par les amours, dit aussi à tort L'Eau, Albani, Francesco, 1e tiers du XVIIe siècle (1621 - 1633)

    Adonis conduit près de Vénus par les amours, dit aussi à tort L'Eau

    first third of the 17th century (1621–1633) · Musée du Louvre

    La Toilette de Vénus, dit aussi à tort L'Air, Albani, Francesco, 1e tiers du XVIIe siècle (1621 - 1633)

    La Toilette de Vénus, dit aussi à tort L'Air

    first third of the 17th century (1621–1633) · Musée du Louvre

    Camille livre le maître d'école de Faléries à ses écoliers, Poussin, Nicolas, 2e quart du XVIIe siècle (1637)

    Nicolas Poussin

    Camille livre le maître d'école de Faléries à ses écoliers, second quarter of the 17th century (1637)

    L'enlèvement d'Hélène, Reni, Guido, 2e quart du XVIIe siècle (1631)

    Guido Reni

    L'enlèvement d'Hélène, second quarter of the 17th century (1631)

    La Purification de la Vierge, Reni, Guido, 2e quart du XVIIe siècle (1625 - 1650)

    Guido Reni

    La Purification de la Vierge, second quarter of the 17th century (1625–1650)

    L' Annonciation, Reni, Guido, 2e quart du XVIIe siècle (1625 - 1650)

    Guido Reni

    L' Annonciation, second quarter of the 17th century (1625–1650)

    L'Union du Dessin et de la Couleur, Reni, Guido, 1e quart du XVIIe siècle (vers 1620 - 1625)

    Guido Reni

    L'Union du Dessin et de la Couleur, first quarter of the 17th century (c. 1620–1625)

    Le Christ remettant les clés à saint Pierre, Reni, Guido, 1e quart du XVIIe siècle (vers 1620 - 1625)

    Guido Reni

    Le Christ remettant les clés à saint Pierre, first quarter of the 17th century (c. 1620–1625)

    La Vierge, l'Enfant Jésus et saint Jean Baptiste, Reni, Guido, 1e moitié du XVIIe siècle (1600 - 1650)

    Guido Reni

    La Vierge, l'Enfant Jésus et saint Jean Baptiste, first half of the 17th century (1600–1650)

    La Vierge avec l'Enfant Jésus jouant avec un oiseau, Reni, Guido, XVIIe siècle (1600 - 1700)

    Guido Reni

    La Vierge avec l'Enfant Jésus jouant avec un oiseau, 17th century (1600–1700)