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From the Ponte Vecchio, Florence, John Taylor Arms, 1925
John Taylor ArmsAmerican, 1887–1953

From the Ponte Vecchio, Florence

1925 · Print

Can I see it?

Not on view at present

Where is “From the Ponte Vecchio, Florence” now? Collection: National Gallery of Art, Washington, D.C. Not on view at present. Checked September 29, 2026.

National Gallery of Art

Washington, D.C., United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum
On the mapMuseum page

Details

Accession number
2015.19.2500

What it shows

ItalyBridgeFlorence

In the catalog

PrintsEtchingModernism20th centuryAmerican

Sources

More by John Taylor Arms

All works
Veterans (Silent Witness), John Taylor Arms, 1916

Veterans (Silent Witness)

1916 · Not on view · National Gallery of Art

A Corner in Old Lisieux, John Taylor Arms, 1916

A Corner in Old Lisieux

1916 · Not on view · National Gallery of Art

Wasps, John Taylor Arms, 1920

Wasps

1920 · Not on view · National Gallery of Art

The Old Exe Bridge, John Taylor Arms, 1920

The Old Exe Bridge

1920 · Not on view · National Gallery of Art

Road to the Pasture, Somewhere in Maine, John Taylor Arms, 1920

Road to the Pasture, Somewhere in Maine

1920 · Not on view · National Gallery of Art

Downtown, New York, John Taylor Arms, 1921

Downtown, New York

1921 · Not on view · National Gallery of Art

New York Skyline, Sketch, John Taylor Arms, 1921

New York Skyline, Sketch

1921 · Not on view · National Gallery of Art

Guardians of the Spire, John Taylor Arms, 1921

Guardians of the Spire

1921 · Not on view · National Gallery of Art

On view at National Gallery of Art

Museum page
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ginevra de' Benci [obverse], c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

On the same theme · Italy

All works on the theme
Palazzo da Mula, Venice, Claude Monet, 1908

Claude Monet

Palazzo da Mula, Venice, 1908

National Gallery of Art

Landscape with Large Roman Ruins, Schelte Adams Bolswert after Sir Peter Paul Rubens, c. 1638

Peter Paul Rubens

Landscape with Large Roman Ruins, c. 1638

Not on view · National Gallery of Art

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., Allen Ginsberg, 1957, printed 1995

Allen Ginsberg

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., 1957, printed 1995

Not on view · National Gallery of Art

Venice: The Dogana and San Giorgio Maggiore, Joseph Mallord William Turner, 1834

Joseph Mallord William Turner

Venice: The Dogana and San Giorgio Maggiore, 1834

National Gallery of Art

The Dogana and Santa Maria della Salute, Venice, Joseph Mallord William Turner, 1843

Joseph Mallord William Turner

The Dogana and Santa Maria della Salute, Venice, 1843

Not on view · National Gallery of Art

Approach to Venice, Joseph Mallord William Turner, 1844

Joseph Mallord William Turner

Approach to Venice, 1844

National Gallery of Art

The Villa Imperiale, Venetian 16th Century, Probably Titian, 1530s

Titian

The Villa Imperiale, 1530s

Not on view · National Gallery of Art

Landscape with a Mill, Dominique Barrière after Titian, c. 1650

Titian

Landscape with a Mill, c. 1650

Not on view · National Gallery of Art