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Where the masterpiece hangs, and when they let you in.

Collections: Art Institute of Chicago, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (6 museums), Paris Musées (12 museums), and Joconde, the French Ministry of Culture's museum database (495 museums). Images belong to their rights holders.

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Collection
National Gallery of Art
Figures with Still Life

Figures with Still Life, David Hockney, 1976/1977

David Hockney, portrait

David HockneyBritish, 1937–2026

Figures with Still Life

1976/1977 · Portfolio

May one see it?

Not receiving at present

National Gallery of Art

Washington, D.C., United States

It belongs to the collection, but is not on display at present.

Checked: 3 days ago
In this state since: Aug 19, 2026
Source: The museum

On the map Museum page

Particulars

1976/1977

19372026

Accession number: 1991.60.10

What it shows

Literary and theatrical themes Man With the Blue Guitar Stevens, Wallace

In the catalog

Prints Etching Contemporary art 20th century British

Sources

National Gallery of Art
Image: National Gallery of Art — © the artist or rights holder

Meanwhile, in the life of David Hockney

1966–1978
Stage designer: “Ubu Roi” and the Glyndebourne operas
Hockney’s first stage designs are for “Ubu Roi” at London’s Royal Court Theatre (1966), followed by Stravinsky’s “The Rake’s Progress” (1975) and “The Magic Flute” (1978) for the Glyndebourne Festival Opera. It is the start of the opera work that will go on in New York, Los Angeles, Chicago and London.
1974
The relationship with Gregory Evans begins
Hockney met Gregory Evans in 1971; in 1974 they begin a decade-long relationship, and in 1976 Evans moves with him to the US. Later they remain business partners, with Evans managing the David Hockney Studio.
1974
Jack Hazan’s film “A Bigger Splash”
Jack Hazan makes a biopic of Hockney, “A Bigger Splash”, named after his 1967 pool painting of the same name.
24 June 1977 – 2 October 1977
Exhibition: Documenta 6
1979
A founder of the Museum of Contemporary Art, Los Angeles
In 1979 Hockney is a founder of the Museum of Contemporary Art, Los Angeles.
1979
Hearing aids from 1979
Hockney’s hearing has been failing since the 1970s: he realised he was going deaf several years before he began using hearing aids in 1979. He also described synaesthetic associations between sound, colour and shape.

More by David Hockney

American Collectors (Fred and Marcia Weisman), David Hockney, 1968

American Collectors (Fred and Marcia Weisman)

1968 · Art Institute of Chicago

The Start of the Spending Spree and the Door Opening for a Blonde (plate 3) from A Rake's Progress, David Hockney, 1961–62, published 1963

The Start of the Spending Spree and the Door Opening for a Blonde (plate 3) from A Rake's Progress

1961–62, published 1963 · Not on view · The Museum of Modern Art

The Arrival (plate 1) from A Rake's Progress, David Hockney, 1961–62, published 1963

The Arrival (plate 1) from A Rake's Progress

1961–62, published 1963 · Not on view · The Museum of Modern Art

The Drinking Scene (plate 4) from A Rake's Progress, David Hockney, 1961–62, published 1963

The Drinking Scene (plate 4) from A Rake's Progress

1961–62, published 1963 · Not on view · The Museum of Modern Art

The Election Campaign (with Dark Message) (plate 5) from A Rake's Progress, David Hockney, 1961–62, published 1963

The Election Campaign (with Dark Message) (plate 5) from A Rake's Progress

1961–62, published 1963 · Not on view · The Museum of Modern Art

The Gospel Singing (Good People) (Madison Square Garden) (plate 2a) from A Rake's Progress, David Hockney, 1961–62, published 1963

The Gospel Singing (Good People) (Madison Square Garden) (plate 2a) from A Rake's Progress

1961–62, published 1963 · Not on view · The Museum of Modern Art

Meeting the Other People (plate 8) from A Rake's Progress, David Hockney, 1961–62, published 1963

Meeting the Other People (plate 8) from A Rake's Progress

1961–62, published 1963 · Not on view · The Museum of Modern Art

The Seven Stone Weakling (plate 3a) from A Rake's Progress, David Hockney, 1961–62, published 1963

The Seven Stone Weakling (plate 3a) from A Rake's Progress

1961–62, published 1963 · Not on view · The Museum of Modern Art

Neighbors at National Gallery of Art

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ginevra de' Benci [obverse], c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888