
Albrecht DürerGerman, 1471–1528May one see it?
Amsterdam, Netherlands
The owner is known. Whether it is on view today, the museum does not say, and we were not trained to guess.
Drie vrouwen en drie mannen dansen hand in hand in een grote kring in een zaal. Achter hen staan drie ridders met fakkels, onder wie Freydal. Vanaf een balkon kijkt een koningsdochter toe. Deze prent is onderdeel van een serie illustraties voor het verhaal 'Freydal', over de gelijknamige ridder, bedoeld als verheerlijking van de daden van keizer Maximiliaan I.
Rijksmuseum
1507–1528 · Workplace
Nuremberg
1515
A life pension from the emperor
The perpetually cash-strapped Maximilian could not pay on time and offered to exempt the artist from city taxes, which the Nuremberg Council opposed. At Dürer's request the emperor granted him a life pension of 100 guilders a year from the sums Nuremberg paid into the imperial treasury.
1519
Death of Emperor Maximilian
Maximilian, Dürer's chief patron, died just as the artist feared he was losing “my sight and freedom of hand” (perhaps from arthritis) and was increasingly drawn to Luther's writings. Shortly before the emperor's death Dürer had made his portrait.
July 1520
Journey to the Netherlands with his wife
To renew his imperial pension and win the patronage of the new emperor, Charles V, Dürer travelled with his wife and her maid down the Rhine via Cologne to Antwerp, where he was warmly received. He attended the coronation at Aachen and saw van Eyck's Ghent Altarpiece and Michelangelo's Madonna of Bruges.
4 October 1520
Charles V confirms his pension
The new emperor, Charles V, confirmed Dürer's right to his pension of 100 guilders a year; the main aim of the journey had been achieved.
1520–1521
An illness caught in the Netherlands
In the Netherlands Dürer caught an unknown illness, possibly malaria, whose attacks plagued him for the rest of his life. He drew himself pointing to his spleen, with the note: “Where the yellow spot is, and where I point with my finger, that is where it hurts.”