En almuesmand set bagfra, Nicolai Abildgaard, 1780-1789
Nicolai Abildgaard, portraitNicolai AbildgaardDanish, 1743–1809

En almuesmand set bagfra

1780-1789 · Drawing

Can I see it?

Not on view at present

Where is “En almuesmand set bagfra” now? Collection: SMK — National Gallery of Denmark, Copenhagen. Not on view at present. Checked September 29, 2026.

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

Details

Accession number
KKSgb3655

In the catalog

Sources

  • SMK
  • Image: SMK — National Gallery of Denmark — public domain

In the life of Nicolai Abildgaard

The whole life
  1. 1778

    Professor at the Academy of Art

    Soon after joining the Academy Abildgaard was appointed to a professorship, teaching mythology and anatomy as well as neoclassical painting. His pupils included Asmus Jacob Carstens, the sculptor Bertel Thorvaldsen and the painters Johan Ludvig Lund and Christoffer Wilhelm Eckersberg.

  2. c. 1780

    The commission for the Knights’ Hall at Christiansborg

    As royal history painter Abildgaard received a prestigious and lucrative commission for a monumental history of Denmark to fill the Knights’ Hall of Christiansborg Palace. The allegorical and mythological imagery glorified the government, while his teacher Mandelberg supplied the room’s decorations.

  3. 1781

    Marries Nancy Oxholm; a son is born

    Abildgaard married Anna Marie “Nancy” Christiane Oxholm, who that same year bore him a son, Marcus Aurelius. Later, on discovering her affair with the court chamberlain Reinhard von Eppingen, he forced the pair to flee in disgrace across the Sound to Helsingborg in Sweden, and divorced.

  4. c. 1785

    Death of his four-year-old son Marcus Aurelius

    The painter’s son Marcus Aurelius, born in 1781, lived only to the age of four.

  5. 1789

    Unanimously elected director of the Academy

    After a failed attempt in 1787, Abildgaard was unanimously elected director of the Academy, serving in 1789–1791 (by other accounts until 1792). He had a reputation as a tyrant who took as many of the Academy’s monumental commissions as he could for himself.

  6. 1789–1790

    Revolutionary ideals in the Knights’ Hall

    Inspired by the French Revolution, Abildgaard tried to bring its ideals into the paintings of the Knights’ Hall at Christiansborg, but the King rejected his designs.

All works

On view at SMK — National Gallery of Denmark

Museum page