
Nicolai AbildgaardDanish, 1743–1809En almuesmand set bagfra
Can I see it?
Not on view at present
Where is “En almuesmand set bagfra” now? Collection: SMK — National Gallery of Denmark, Copenhagen. Not on view at present. Checked September 29, 2026.
Copenhagen, Denmark
It belongs to the collection, but is not on display at present.
- Checked
- In this state since
- Source
- The museum
Details
- Accession number
- KKSgb3655
In the catalog
Sources
- SMK
- Image: SMK — National Gallery of Denmark — public domain
In the life of Nicolai Abildgaard
The whole life1778
Professor at the Academy of Art
Soon after joining the Academy Abildgaard was appointed to a professorship, teaching mythology and anatomy as well as neoclassical painting. His pupils included Asmus Jacob Carstens, the sculptor Bertel Thorvaldsen and the painters Johan Ludvig Lund and Christoffer Wilhelm Eckersberg.
c. 1780
The commission for the Knights’ Hall at Christiansborg
As royal history painter Abildgaard received a prestigious and lucrative commission for a monumental history of Denmark to fill the Knights’ Hall of Christiansborg Palace. The allegorical and mythological imagery glorified the government, while his teacher Mandelberg supplied the room’s decorations.
1781
Marries Nancy Oxholm; a son is born
Abildgaard married Anna Marie “Nancy” Christiane Oxholm, who that same year bore him a son, Marcus Aurelius. Later, on discovering her affair with the court chamberlain Reinhard von Eppingen, he forced the pair to flee in disgrace across the Sound to Helsingborg in Sweden, and divorced.
c. 1785
Death of his four-year-old son Marcus Aurelius
The painter’s son Marcus Aurelius, born in 1781, lived only to the age of four.
1789
Unanimously elected director of the Academy
After a failed attempt in 1787, Abildgaard was unanimously elected director of the Academy, serving in 1789–1791 (by other accounts until 1792). He had a reputation as a tyrant who took as many of the Academy’s monumental commissions as he could for himself.
1789–1790
Revolutionary ideals in the Knights’ Hall
Inspired by the French Revolution, Abildgaard tried to bring its ideals into the paintings of the Knights’ Hall at Christiansborg, but the King rejected his designs.