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  1. Collection/
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  3. Electricity
Electricity, Natalia Goncharova, 1912
Natalia Goncharova, portraitNatalia GoncharovaRussian, 1881–1962

Electricity

1912 · Drawing

May one see it?

Not receiving at present

The Museum of Modern Art

New York, United States

It belongs to the collection, but is not on display at present.

Checked
9 days ago
Source
The museum
On the mapMuseum page

Particulars

1912 · aged 31
18811962
Accession number
88.1978

In the catalog

Drawings & watercolorsGraphiteModernism20th century

Sources

  • The Museum of Modern Art
  • Image: The Museum of Modern Art — © the artist or rights holder

Meanwhile, in the life of Natalia Goncharova

The whole life
  1. 24 March 1910

    First solo show and a charge of pornography

    At the club of the Society of Free Aesthetics Goncharova showed 22 paintings for a single day; after an anonymous notice in the newspaper “Golos Moskvy” the police seized two “Models” and the painting “God”, and she was charged with pornography.

  2. December 1910 – January 1911

    First Jack of Diamonds exhibition

    The first show of the Jack of Diamonds — Moscow's first radical independent exhibiting group, named by Larionov — included Goncharova's Primitivist and Cubist paintings.

  3. 1911

    Develops Rayonism with Larionov

    Goncharova and Larionov developed Rayonism and painted many works in the style (elsewhere Rayonism is dated 1912–1914).

  4. March – April 1912

    The Donkey's Tail: over fifty paintings

    More than fifty of her paintings hung at the first Donkey's Tail exhibition, which Larionov organised as a break with European influence; the censor confiscated “The Evangelists” as blasphemous.

  5. autumn 1913

    Solo show on Bolshaya Dmitrovka

    Goncharova's largest solo show (together with the spring show in St Petersburg, over 700 works of 1900–1913) closed with the first catalogue-monograph on her and Larionov, edited by I. M. Zdanevich; its preface carries the famous words about turning away “from the West” to the East, whose authorship is disputed.

  6. 1914

    Designs “The Golden Cockerel” for Diaghilev

    On Alexandre Benois's recommendation Diaghilev invited Goncharova to design the opera-ballet “The Golden Cockerel”; after its first performances in Paris and London succeeded, their collaboration continued.

More by Natalia Goncharova

All works
Rayonism, Blue-Green Forest, Natalia Goncharova, 1913 (dated on reverse 1911)

Rayonism, Blue-Green Forest

1913 (dated on reverse 1911) · The Museum of Modern Art

Велосипедист, Natalia Goncharova, 1913

Велосипедист

1913 · State Russian Museum

Spanish Dancer, Natalia Goncharova, 1920s

Spanish Dancer

1920s · Art Institute of Chicago

Беление холста, Natalia Goncharova, 1908

Беление холста

1908 · State Russian Museum

Зима, Natalia Goncharova, 1911

Зима

1911 · State Russian Museum

Прачки, Natalia Goncharova, 1911

Прачки

1911 · State Russian Museum

Портрет М. Ф. Ларионова и его взводного, Natalia Goncharova, 1911

Портрет М. Ф. Ларионова и его взводного

1911 · State Russian Museum

Евангелисты. Тетраптих, Natalia Goncharova, 1911

Евангелисты. Тетраптих

1911 · State Russian Museum

Neighbors at The Museum of Modern Art

Museum page
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

The Starry Night, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950