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  3. Ejiri
Ejiri, Utagawa Kunisada, 1854, 8th month
Utagawa Kunisada, portraitUtagawa KunisadaJapanese, 1786–1865

Ejiri

1854, 8th month · Print

May one see it?

Not receiving at present

Minneapolis Institute of Art

Minneapolis, United States

It belongs to the collection, but is not on display at present.

Checked
3 days ago
In this state since
Sep 25, 2026
Source
The museum
On the mapMuseum page

About the work

Located near the station of Ejiri along the To_kaido_ Road is one of Japan's great scenic views: Mount Fuji seen from Miho-no-matsubara, a sandy shore grown with pine trees, here shown by Hiroshige in the lower half of the print. According to legend, a fisherman once found a beautiful feathered robe hanging from the branches of one of the pine trees. Later, a celestial maiden appeared to him and pleaded for the robe, as she could not fly to the heavens without it. Moved by her tears, the fisherman returned the robe to her. This story came to be performed on the Noh stage, and performances culminate in the maiden's grateful dance before the fisherman. Here, Kunisada illustrates the maiden as she flies heavenward over Miho-no-matsubara.

Minneapolis Institute of Art

Particulars

1854, 8th month · aged 68
17861865
Accession number
P.75.51.303

In the catalog

PrintsWoodcutJapanese printsRealism19th centuryJapan

Sources

  • Minneapolis Institute of Art
  • Image: Minneapolis Institute of Art — public domain

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The Actor Nakamura Fukusuke I as Asahina Tōbei, likened to Lu Zhishen the Tattooed Priest (Kaoshō Rochishin ni hisu), from the “Pine” triptych of the series A Modern Water Margin (Tōsei suikoden)

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