Effet de pluie, Rousseau, Théodore, 2e quart du XIXe siècle (1825 - 1850)
Théodore Rousseau, portraitThéodore RousseauFrench, 1812–1867

Effet de pluie

second quarter of the 19th century (1825–1850) · Painting

Can I see it?

Unknown

Where is “Effet de pluie” now? Collection: Musée du Louvre, Paris. Unknown.

Musée du Louvre

Paris, France

The owner is known; whether it is on view today is not.

In this state since
Source
The museum

Details

Accession number
RF 1938 108

In the catalog

Sources

  • Musée du Louvre
  • Image: Musée du Louvre — © 2011 GrandPalaisRmn (musée du Louvre) / Michel Urtado

In the life of Théodore Rousseau

The whole life
  1. 1831

    Salon debut: a landscape of the Auvergne

    The nineteen-year-old Rousseau submitted work to the Paris Salon, and his landscape of the wild Auvergne won recognition for its lively brushwork. At the Salons of 1831, 1833, 1834 and 1835 he showed six works.

  2. 1836

    The Salon rejects “Landscape of the Jura”

    In 1836 the Salon jury rejected Rousseau's great work “Landscape of the Jura” (“The Descent of the Cattle”), and of the eight works he sent to the Salon between 1836 and 1841 none was accepted. By other accounts, the four Salons after his 1831 debut had already gone badly.

  3. winter 1836 – 1837

    First winter at Barbizon

    Rousseau spent the winter of 1836–1837 at Barbizon with the painters Narcisse Díaz de la Peña and Théodore Caruelle d'Aligny; the nature there impressed him so deeply that from then on he came back every year. In time a circle of painters who, like him, painted nature from life gathered around him — Cabat, Daubigny, Dupré — and so the Barbizon school gradually took shape.

  4. 1848

    Settles in Barbizon for good

    Until then Rousseau had lived at Barbizon only occasionally, but in 1848 he settled in the forest village (with his wife, by some accounts) and spent most of his remaining days in its vicinity. His neighbour, the landscape painter Jules Dupré, recalled how hard Rousseau found it to know when a picture was finished, and how he would sometimes carry off a canvas on which his friend had laboured too long.

  5. 1849

    Returns to the Salon

    In 1849 Rousseau sent work to the Salon again, and all three of his submissions were accepted. He could now obtain fair sums for his pictures, though only about a tenth of their value thirty years after his death, and his admirers grew in number.

  6. 1851

    Exhibits “The Edge of the Forest”

    In 1851, after the reorganization of the Salon of 1848, Rousseau exhibited his masterpiece, “The Edge of the Forest” (now in the Louvre). The authorities still ignored him: that year the Legion of Honour went to Narcisse Diaz, whom Rousseau had taught to paint trees, while he himself received the Cross only soon afterwards.

All works

On view at Musée du Louvre

Museum page