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  1. Collection/
  2. The Museum of Modern Art/
  3. Drift Chair, Point Lobos
Drift Chair, Point Lobos, Edward Weston, 1938
Edward Weston, portraitEdward WestonAmerican, 1886–1958

Drift Chair, Point Lobos

1938 · Photograph

May one see it?

Not receiving at present

The Museum of Modern Art

New York, United States

It belongs to the collection, but is not on display at present.

Checked
8 days ago
Source
The museum
On the mapMuseum page

Particulars

1938 · aged 52
18861958
Accession number
1909.1968

In the catalog

PhotographsGelatin silver printModernism20th century

Sources

  • The Museum of Modern Art
  • Image: The Museum of Modern Art — © the artist or rights holder

Meanwhile, in the life of Edward Weston

The whole life
  1. 1937 · Award

    Guggenheim Fellowship

  2. until 22 March 1937

    Applying for the Guggenheim grant

    At Beaumont Newhall’s suggestion Weston decides to apply for a Guggenheim Foundation grant: he writes a two-sentence description of his work, assembles thirty-five of his favourite prints and sends them in. Dorothea Lange and her husband point out that the application is too brief to be seriously considered, and he resubmits it with a four-page letter and a work plan. He does not mention that Wilson wrote the new application for him.

  3. after March 1937

    Seventeen trips in a year: 16,697 miles

    Over the next twelve months Weston and Wilson make seventeen trips and cover 16,697 miles, according to Wilson’s detailed log. Weston makes 1,260 negatives during the trip. Because of the success of the year he applies for and receives a second year of Guggenheim support: although he would like to travel more, he intends to use most of the money to print the previous year’s work.

  4. 22 March 1937

    News of the Guggenheim grant: two thousand dollars

    On 22 March 1937 Weston learns he has been awarded a Guggenheim grant, the first ever given to a photographer: $2,000 for one year, a significant sum at the time. He capitalises on it further by arranging to supply the editor of AAA Westway Magazine with 8–10 photographs a month for $50 during their travels, with Wilson earning another $15 a month for captions and short narratives. They buy a new car and set out on Weston’s dream trip to photograph whatever he wants.

  5. 1937–1939

    Nearly 1,400 negatives in two years on the fellowship

    The first photographer to receive a Guggenheim Fellowship, he produces nearly 1,400 negatives over the next two years with his 8 × 10 view camera.

  6. 24 April 1939

    Marries Charis Wilson

    Finally relieved of past financial stress and inordinately happy with both his work and his relationship, Weston marries Wilson in a small ceremony on 24 April.

More by Edward Weston

All works
Shell, Edward Weston, 1927

Shell

1927 · The Museum of Modern Art

Cypress Root and Succulents, Point Lobos, Edward Weston, 1930

Cypress Root and Succulents, Point Lobos

1930 · The Museum of Modern Art

Guadalupe, Mexico, Edward Weston, 1924

Guadalupe, Mexico

1924 · Minneapolis Institute of Art

Violet Romer. (reaching for tall reed, wearing fairy costume), Edward Weston, c. 1917

Violet Romer. (reaching for tall reed, wearing fairy costume)

c. 1917 · Not on view · The Museum of Modern Art

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · Not on view · The Museum of Modern Art

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · Not on view · The Museum of Modern Art

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · Not on view · The Museum of Modern Art

Violet Romer, Edward Weston, c. 1917

Violet Romer

c. 1917 · Not on view · The Museum of Modern Art

Neighbors at The Museum of Modern Art

Museum page
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

The Starry Night, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950