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  1. Collection/
  2. Minneapolis Institute of Art/
  3. Dragons Over a Flame
Dragons Over a Flame, Oskar Kokoschka, 1914
Oskar Kokoschka, portraitOskar KokoschkaAustrian, 1886–1980

Dragons Over a Flame

1914 · Print · 26.67 × 18.73 cm

May one see it?

Not receiving at present

Minneapolis Institute of Art

Minneapolis, United States

It belongs to the collection, but is not on display at present.

Checked
3 days ago
In this state since
Sep 25, 2026
Source
The museum
On the mapMuseum page

Particulars

1914 · aged 28
18861980
Accession number
P.12, 590

In the catalog

PrintsLithographModernism20th centuryAustria

Sources

  • Minneapolis Institute of Art
  • Image: Minneapolis Institute of Art — © Minneapolis Institute of Art

Meanwhile, in the life of Oskar Kokoschka

The whole life
  1. 1909–1914

    Adolf Loos: patron and commissioner of portraits

    The architect Adolf Loos befriended Kokoschka, introduced him to the Viennese avant-garde and ordered portraits of his clients and friends, agreeing to buy the work if the sitter declined. This left Kokoschka complete artistic freedom; he painted the bulk of his portraiture between 1909 and 1914.

  2. 1911–1913

    Teaches in Vienna

    From 1911 to 1913 Kokoschka taught in Vienna. Drawing on the ideas of the Czech humanist Jan Amos Comenius, he held that students benefit most from using their five senses to reason, and instead of conventional methods he taught through storytelling infused with mythological themes and dramatic emotion.

  3. c. 1911 – 1914

    The affair with Alma Mahler

    Kokoschka’s stormy affair with Alma Mahler, the widow of the composer Gustav Mahler, lasted about two years: she was afraid of being overcome by passion and rejected him, and in 1915 she married Walter Gropius. Kokoschka loved her all his life.

  4. 1912

    The lecture “On the Nature of Visions”

    In 1912 Kokoschka delivered his essay “Von der Natur der Gesichte” (“On the Nature of Visions”) at the Akademischer Verband für Literatur und Musik in Vienna, setting out his ideas on the relationship between inner vision and optical sight.

  5. 1915

    Gravely wounded in the First World War

    Having volunteered as a cavalryman in the Austrian army, Kokoschka was seriously wounded on the Galician front in 1915 and survived captivity, and the doctors at the hospital judged him mentally unstable. Nevertheless he went on working, travelling across Europe and painting landscapes.

  6. 1916

    Meets Hofmannsthal and Rilke

    In 1916 Kokoschka met Hugo von Hofmannsthal and Rainer Maria Rilke.

More by Oskar Kokoschka

All works
Sleeping Woman (Schlafende Frau)(title page) from Die träumenden Knaben (The Dreaming Boys), Oskar Kokoschka, 1917 (executed 1907-08)

Sleeping Woman (Schlafende Frau)(title page) from Die träumenden Knaben (The Dreaming Boys)

1917 (executed 1907-08) · Not on view · The Museum of Modern Art

Rider and Sailboat (Reiter und Segelschiff) (postcard), Oskar Kokoschka, 1907

Rider and Sailboat (Reiter und Segelschiff) (postcard)

1907 · Not on view · The Museum of Modern Art

Flower Garden (Blumengarten), Oskar Kokoschka, 1907

Flower Garden (Blumengarten)

1907 · Not on view · The Museum of Modern Art

Girl with a Sheep in the Mountain Meadow (Mädchen mit Schaf auf Bergwiese) (postcard), Oskar Kokoschka, 1907

Girl with a Sheep in the Mountain Meadow (Mädchen mit Schaf auf Bergwiese) (postcard)

1907 · Not on view · The Museum of Modern Art

Shepherd, Stag and Fox (Hirt, Hirsch und Fuchs). Illustration for the shadow play The Speckled Egg (Das getupfte Ei) (plate 1) from the First Theater Program of Kabarett Fledermaus (Cabaret Fledermaus), Oskar Kokoschka, 1907

Shepherd, Stag and Fox (Hirt, Hirsch und Fuchs). Illustration for the shadow play The Speckled Egg (Das getupfte Ei) (plate 1) from the First Theater Program of Kabarett Fledermaus (Cabaret Fledermaus)

1907 · Not on view · The Museum of Modern Art

Die träumenden Knaben (The Dreaming Boys), Oskar Kokoschka, 1907–08, published 1917

Die träumenden Knaben (The Dreaming Boys)

1907–08, published 1917 · Not on view · The Museum of Modern Art

The Sailors Are Calling (Die Schiffer rufen)(in-text plate, folio 5) from Die träumenden Knaben (The Dreaming Boys), Oskar Kokoschka, 1917 (executed 1907-08)

The Sailors Are Calling (Die Schiffer rufen)(in-text plate, folio 5) from Die träumenden Knaben (The Dreaming Boys)

1917 (executed 1907-08) · Not on view · The Museum of Modern Art

The Sailboat (Das Segelschiff)(in-text plate, folio 4) from Die träumenden Knaben (The Dreaming Boys), Oskar Kokoschka, 1917 (executed 1907-08)

The Sailboat (Das Segelschiff)(in-text plate, folio 4) from Die träumenden Knaben (The Dreaming Boys)

1917 (executed 1907-08) · Not on view · The Museum of Modern Art

Neighbors at Minneapolis Institute of Art

Museum page
Olive Trees, Vincent van Gogh, 1889

Vincent van Gogh

Olive Trees, 1889

Grainstack, Sun in the Mist, Claude Monet, 1891

Claude Monet

Grainstack, Sun in the Mist, 1891

Lucretia, Rembrandt van Rijn, 1666

Rembrandt van Rijn

Lucretia, 1666

Self-Portrait with Dr. Arrieta, Francisco José de Goya y Lucientes, 1820

Francisco de Goya

Self-Portrait with Dr. Arrieta, 1820

Study for Improvisation V, Vassily Kandinsky, 1910

Vasily Kandinsky

Study for Improvisation V, 1910

Tahitian Landscape, Paul Gauguin, 1891

Paul Gauguin

Tahitian Landscape, 1891

Chestnut Trees at Jas de Bouffan, Paul Cézanne, c. 1885–86

Paul Cézanne

Chestnut Trees at Jas de Bouffan, c. 1885–86

The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34

Peter Paul Rubens

The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34