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  1. Collection/
  2. Albertina/
  3. Der Wassertrinker oder Die Leckerei
Der Wassertrinker oder Die Leckerei, Édouard Manet, 1861
Édouard Manet, portraitÉdouard ManetFrench, 1832–1883

Der Wassertrinker oder Die Leckerei

1861 · Print

May one see it?

Unknown

Albertina

Vienna, Austria

The owner is known; whether it is on view today is not.

In this state since
Sep 27, 2026
Source
The museum
On the mapMuseum page

Particulars

1861 · aged 29
18321883

In the catalog

PrintsRealismImpressionism19th century

Sources

  • Albertina
  • Image: Albertina — Public Domain Mark 1.0

Meanwhile, in the life of Édouard Manet

The whole life
  1. 1859

    “The Absinthe Drinker” rejected; a final break with Couture

    In 1859 Manet decided that his education was complete and submitted “The Absinthe Drinker” to the Salon; Couture reacted negatively and Manet finally broke with his teacher. The Salon jury rejected the painting: only Delacroix voted for it, while Couture voted against.

  2. 1861

    His first participation in the Salon

    In 1861 the Salon accepted two canvases by Manet: “Portrait of Monsieur and Madame Manet” and “The Spanish Singer”. Critics received the portrait coldly, while “The Spanish Singer” was admired by Théophile Gautier and, because of its popularity, hung in a more conspicuous place; the work intrigued young artists and brought new business to his studio.

  3. 1862

    “Music in the Tuileries”: the fury of the public

    In 1862 Manet exhibited “Music in the Tuileries” (probably painted in 1860), where the strollers include the poet Baudelaire, the musician Offenbach and the artist himself. It mostly provoked fury: the thick brushstrokes looked crude and unfinished, several visitors threatened to destroy the canvas; Delacroix defended it, and the controversy made Manet a well-known name in Paris.

  4. 1863

    “The Luncheon on the Grass” at the Salon des Refusés

    The Salon of 1863 rejected “The Luncheon on the Grass” (originally “Le Bain”), and Manet exhibited it at the Salon des Refusés, a parallel exhibition initiated by Napoleon III after a public outcry, the jury having accepted only 2,217 of more than 5,000 submissions. The juxtaposition of dressed men and a nude woman and the sketch-like handling caused a scandal; one critic compared the brushwork to a “floor mop”.

  5. 1863

    Marries Suzanne Leenhoff

    In 1863, a year after his father's death, Manet married Suzanne Leenhoff at a Protestant church: a Dutch-born piano teacher two years his senior with whom he had been romantically involved for about ten years. Auguste Manet had employed her to teach his sons the piano, and she may also have been Auguste's mistress.

  6. 1863

    Married: Suzanne Manet

More by Édouard Manet

All works
The Spanish Singer, Edouard Manet, 1860

The Spanish Singer

1860 · The Metropolitan Museum of Art

The Smoker, Édouard Manet, 1866

The Smoker

1866 · Minneapolis Institute of Art

Young Lady in 1866, Edouard Manet, 1866

Young Lady in 1866

1866 · The Metropolitan Museum of Art

Boating, Edouard Manet, 1874

Boating

1874 · The Metropolitan Museum of Art

La Vierge au lapin, Manet, Édouard, Milieu du XIXe siècle (1840 - 1860)

La Vierge au lapin

mid 19th century (1840–1860) · Musée du Louvre

Boy with a Sword, Edouard Manet, 1861

Boy Carrying a Sword

1861 · The Metropolitan Museum of Art

Portrait of Madame Brunet, Édouard Manet, about 1861–1863, reworked by 1867

Portrait of Madame Brunet

about 1861–1863, reworked by 1867 · J. Paul Getty Museum

The Old Musician, Edouard Manet, 1862

The Old Musician

1862 · National Gallery of Art

From the collection of Albertina

Museum page
Zwei groteske Köpfe im Profil, Leonardo da Vinci

Leonardo da Vinci

Zwei groteske Köpfe im Profil

Landschaft mit Haus und Bäumen, Vincent van Gogh

Vincent van Gogh

Landschaft mit Haus und Bäumen

Friedhof im Regen, Vincent van Gogh

Vincent van Gogh

Friedhof im Regen

Studien eines erhobenen Armes mit Schultergelenk, Michelangelo

Michelangelo

Studien eines erhobenen Armes mit Schultergelenk

Studien eines weiblichen sitzenden Rückenakts, Michelangelo

Michelangelo

Studien eines weiblichen sitzenden Rückenakts

Männlicher Oberkörper mit gefalteten Händen sowie Handstudien, Michelangelo

Michelangelo

Männlicher Oberkörper mit gefalteten Händen sowie Handstudien

Männlicher Rückenakt (Studie zu dem eine Lanze tragenden Soldaten des geplanten Wandgemäldes "Schlacht von Cascina"), Michelangelo

Michelangelo

Männlicher Rückenakt (Studie zu dem eine Lanze tragenden Soldaten des geplanten Wandgemäldes "Schlacht von Cascina")

Beweinung Christi, Michelangelo

Michelangelo

Beweinung Christi