Death Crowning Innocence, George Frederic Watts, 1880s
George Frederic Watts, portraitGeorge Frederic WattsBritish, 1817–1904

Death Crowning Innocence

1880s · Painting · 80 × 128.3 cm

Can I see it?

Unknown

Where is “Death Crowning Innocence” now? Collection: The National Gallery, London. Unknown.

The National Gallery

London, United Kingdom

The owner is known; whether it is on view today is not.

In this state since
Source
The museum

Details

Accession number
NG1635

In the catalog

Sources

  • Wikidata
  • Image: The National Gallery — George Frederic Watts · Public domain · Wikimedia Commons

In the life of George Frederic Watts

The whole life
  1. 1870s

    A revised “House of Life” under Max Müller’s influence

    The “House of Life” — a planned epic symbolic cycle in which the emotions and aspirations of life are expressed in one universal symbolic language — receives a revised version in the 1870s. Watts’s association with Rossetti and the Aesthetic movement changes: he combines the Classical tradition with a deliberately agitated, troubled surface, draws on the ideas of Max Müller, the founder of comparative religion, and hopes to trace the evolving mythologies of the world’s peoples, fusing spiritual ideas with modern science, above all Darwinian evolution.

  2. 1886

    Second marriage to Mary Fraser Tytler

    In 1886, at the age of 69, Watts marries for the second time — Mary Fraser Tytler, a Scottish designer and potter, then aged 36.

  3. 1887

    Proposes a Memorial to Heroic Self-Sacrifice

    For Queen Victoria’s Golden Jubilee Watts proposes a memorial to heroic self-sacrifice, honouring ordinary people who died saving the lives of others and might otherwise be forgotten. The scheme is not accepted at the time.

  4. 1891

    Buys land at Compton and builds Limnerslease

    In 1891 Watts buys land near Compton, south of Guildford in Surrey. The couple name the house Limnerslease — from “limner” (artist) and “leasen” (to glean) — and build a museum of his work nearby.

All works

From the collection of The National Gallery

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