Édouard ManetFrench, 1832–1883Dead Toreador
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Chicago, United States
It belongs to the collection, but is not on display at present.
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- The museum
About the work
The Salon on 1864 included Manet's painting Episode from a Bullfight, which he later divided into two fragments, both reworked as single compositions. One of the fragments, the Dead Toreador (now in the National Gallery of Art, Washington, D.C.), was first exhibited in 1867, and the etching shown here dates from that time or shortly after. The etching itself was exhibited in the Salon of 1869 with Exotic Flower, which is stylistically similar and also of a Spanish theme.
Art Institute of ChicagoCC BY 4.0
Particulars
- Accession number
- 1987.65
In the catalog
Sources
- Art Institute of Chicago
- Image: Art Institute of Chicago — CC0
Meanwhile, in the life of Édouard Manet
The whole life1865
“Olympia” at the Salon: a scandal
In 1865 the Salon accepted “Olympia”, and the frank depiction of a self-assured prostitute created a scandal; according to Antonin Proust, only the precautions taken by the administration prevented the painting from being punctured and torn. The popular press caricatured it, while the avant-garde, including Courbet, Cézanne and Monet, championed it.
after 1865
Café Guerbois and the Batignolles group
After returning from Spain Manet became a regular at the Café Guerbois in the Batignolles quarter, where Fantin-Latour, Whistler, Duranty, Degas, Renoir, Monet and Pissarro gathered, with Émile Zola as Manet's ardent defender. After harsh reproaches from Duranty, Manet challenged him to a duel and wounded him, but they made up and remained good friends until Manet's death.
1865
Flight to Spain: El Greco, Velázquez, Goya
The persecution after “Olympia” forced Manet to flee, almost literally, to Spain, where he spent his time to good purpose, getting to know the works of El Greco, Velázquez and Goya and finding in them a justification of his own aesthetic taste.
1867
His own pavilion near the Pont de l'Alma
In 1867, during the World's Fair in Paris, Manet set up his own pavilion near the Pont de l'Alma and showed fifty of his best works of the past ten years. Possibly this step led to his works being accepted at the next two Salons.
1868
Friendship with Berthe Morisot
In 1868 Manet became a friend and colleague of Berthe Morisot; she is credited with convincing him to attempt plein air painting, to which Camille Corot had introduced her. Through Morisot, Manet became friends with Degas, Monet, Renoir, Sisley, Cézanne and Pissarro.
1870
The siege of Paris: Manet in the army
During the siege of Paris Manet, a convinced republican, sent his family to Oloron-Sainte-Marie in the south of France, while he himself, with many fellow artists, joined the army and took part in the defence of the capital; he was lucky to survive.
