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  1. Collection/
  2. The Museum of Modern Art/
  3. Dancers (Tänzerinnen)
Dancers (Tänzerinnen), Erich Heckel, 1911, dated 1910
Erich Heckel, portraitErich HeckelGerman, 1883–1970

Dancers (Tänzerinnen)

1911, dated 1910 · Print

May one see it?

Not receiving at present

The Museum of Modern Art

New York, United States

It belongs to the collection, but is not on display at present.

Checked
8 days ago
Source
The museum
On the mapMuseum page

Particulars

1911, dated 1910
18831970
Accession number
331.1948

In the catalog

PrintsLithographModernism20th century

Sources

  • The Museum of Modern Art
  • Image: The Museum of Modern Art — © the artist or rights holder

Meanwhile, in the life of Erich Heckel

The whole life
  1. 1905–1913

    Secretary, treasurer and manager of Die Brücke

    Heckel is the group’s secretary and treasurer and often its business manager: he builds contacts with other up-and-coming artists, such as the Munich-based Franz Marc, which brings Die Brücke publicity, even a mention in the almanac of the Blaue Reiter. His brother introduced the group to African sculpture.

  2. 1909

    A journey to Italy

    Heckel travels in Italy: Verona, Padua, Venice, Rome.

  3. December 1911

    Moves from Dresden to Berlin

    In December 1911 Heckel moves from Dresden to Berlin.

  4. 1912

    Friendship with Franz Marc and Lyonel Feininger

    In 1912 Heckel’s friendship with Franz Marc and Lyonel Feininger begins.

  5. 1913

    The dissolution of Die Brücke

    Die Brücke existed from 1905 to 1913; in 1913 the group dissolved.

  6. 1913

    A first solo exhibition at the Gurlitt Gallery

    Heckel’s first solo exhibition opens at the Gurlitt Gallery in Berlin.

More by Erich Heckel

All works
The Mill (at Goppeln), Erich Heckel, 1907

The Mill (at Goppeln)

1907 · National Gallery of Art

To the Convalescent Woman (Triptych), Erich Heckel, 1912-1913

To the Convalescent Woman (Triptych)

1912-1913 · Harvard Art Museums

Boys at the Beach, Erich Heckel, 1919

Boys at the Beach

1919 · Minneapolis Institute of Art

Der Träumer, Erich Heckel, 1905

Der Träumer

1905 · Not on view · National Gallery of Art

Hockender (Crouching Figure), Erich Heckel, 1907

Hockender (Crouching Figure)

1907 · Not on view · National Gallery of Art

Plate (folio 12) from The Ballad of Reading Gaol, Erich Heckel, 1963 (original executed in 1907)

Plate (folio 12) from The Ballad of Reading Gaol

1963 (original executed in 1907) · Not on view · The Museum of Modern Art

Plate (folio 25) from The Ballad of Reading Gaol, Erich Heckel, 1963 (original executed in 1907)

Plate (folio 25) from The Ballad of Reading Gaol

1963 (original executed in 1907) · Not on view · The Museum of Modern Art

Plate (folio 13) from The Ballad of Reading Gaol, Erich Heckel, 1963 (original executed in 1907)

Plate (folio 13) from The Ballad of Reading Gaol

1963 (original executed in 1907) · Not on view · The Museum of Modern Art

Neighbors at The Museum of Modern Art

Museum page
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

The Starry Night, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950