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  1. Collection/
  2. National Gallery of Art/
  3. Cy-devant (Ex-Noble)
Cy-devant (Ex-Noble), Félicien Rops, 1895
Félicien Rops, portraitFélicien RopsFrench, 1833–1898

Cy-devant (Ex-Noble)

1895 · Print

May one see it?

Not receiving at present

National Gallery of Art

Washington, D.C., United States

It belongs to the collection, but is not on display at present.

Checked
3 days ago
In this state since
Aug 19, 2026
Source
The museum
On the mapMuseum page

Particulars

1895 · aged 62
18331898
Accession number
1996.151.115

In the catalog

PrintsEtchingImpressionism19th centuryBelgian

Sources

  • National Gallery of Art
  • Image: National Gallery of Art — Museum open access

Meanwhile, in the life of Félicien Rops

The whole life
  1. 1871–1898

    Travels across Europe and North Africa

    During his Paris years Rops travels extensively throughout Europe — from capital cities and art centres to salmon fishing in Norway and Sweden and ventures into the Hungarian back country — and also to Spain and North Africa.

  2. 1895–1896

    Frontispieces for Mallarmé and Verlaine

    For Stéphane Mallarmé’s “Poésies” Rops creates the frontispiece “The Lyre” (1895), and for Paul Verlaine’s “Chair” (“Flesh”) the frontispiece “Parallelism” (1896).

  3. 15 June 1896

    The review “La Plume” devotes an issue to Rops

    The literary review “La Plume” publishes a special tribute issue (no. 172) devoted exclusively to Rops, in which Puvis de Chavannes, Huysmans, Octave Mirbeau, Joséphin Péladan and José-Maria de Heredia praise his work; the illustrations to “Les Diaboliques” and the “Les Sataniques” series are singled out.

  4. July 1896

    A will in favour of the Duluc sisters

    Anticipating legal challenges from his estranged wife Charlotte, his son Paul and his judge father-in-law, and with his health slowly deteriorating, Rops leaves everything to the Duluc sisters; later, on a doctor’s orders, he spends some time in the south of France, but it brings little relief. The disputes do arise: the sisters successfully resist Paul’s attempts to remove his father from their care, and compromises are reached on other matters.

More by Félicien Rops

All works
Oude-Kate, Félicien Rops

Oude-Kate

Not on view · National Gallery of Art

Satan Sowing Tare (Satan semant l'ivraie), Félicien Rops

Satan Sowing Tare (Satan semant l'ivraie)

Not on view · National Gallery of Art

The Train of Maris (Le train de Maris), Félicien Rops

The Train of Maris (Le train de Maris)

Not on view · National Gallery of Art

Le Rydeack, Félicien Rops

Le Rydeack

Not on view · National Gallery of Art

The Little Potato Peeler (La petite peleuse de pommes de terre), Félicien Rops

The Little Potato Peeler (La petite peleuse de pommes de terre)

Not on view · National Gallery of Art

The Sparrow of Lesbie (Le moineau de Lesbie), Félicien Rops

The Sparrow of Lesbie (Le moineau de Lesbie)

Not on view · National Gallery of Art

The Falconer (La fauconniere), Félicien Rops

The Falconer (La fauconniere)

Not on view · National Gallery of Art

Die Absinthtrinkerin, Félicien Rops

Die Absinthtrinkerin

Albertina

Neighbors at National Gallery of Art

Museum page
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ginevra de' Benci [obverse], c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888