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  3. Crucifixion
Crucifixion, Eustache Le Sueur, about 1650–1655

Crucifixion

about 1650–1655 · Painting · 47.5 × 34 cm

About the painting

Le Sueur depicts Christ on the cross, still alive, alone in a rocky and mountainous landscape. Following an older tradition in art, he is represented attached to the cross with four nails. As he hangs dying, blood trickles from his feet and hands onto the cross and the rock of Golgotha, symbolizing the Christian belief that his death cleansed the original sin of Adam, whose skull is displayed below. There is a sense of absolute stillness, broken only by the suggestion that the open-mouthed Christ is pronouncing his last words: “My God, my God, why have you forsaken me?” (Matthew 27:46; Mark 15:34). The relatively small size, the delicacy of the brushwork, and the precious support on copper indicate that the painting was intended for private devotion.

JPGJ. Paul Getty Museum

Particulars

about 1650–1655

More by Eustache Le Sueur

All works

In the same room · Museum East Pavilion, Gallery E201, J. Paul Getty Museum

Museum page
16161655
Accession number
2019.21

Sources

  • J. Paul Getty Museum
  • Image: J. Paul Getty Museum — Open Content
Eustache Le Sueur, portraitEustache Le SueurFrench, 1616–1655

May one see it?

Yes, receiving visitors

JPG
J. Paul Getty Museum

Los Angeles, United States

RoomMuseum East Pavilion, Gallery E201

On public display.

Checked
2 days ago
In this state since
Oct 5, 2026
Source
The museum
On the mapMuseum page
Portrait d'homme, Le Sueur, Eustache, XVIIe siècle (1600 - 1700)

Portrait d'homme

17th century (1600–1700) · Musée du Louvre

Vue de Paris avec le plan de la Chartreuse de Paris porté par deux angelots, Le Sueur, Eustache, 2e quart du XVIIe siècle (1625 - 1650)

Vue de Paris avec le plan de la Chartreuse de Paris porté par deux angelots

second quarter of the 17th century (1625–1650) · Musée du Louvre

Dédicace d'une église de chartreux, Le Sueur, Eustache, 2e quart du XVIIe siècle (1625 - 1650)

Dédicace d'une église de chartreux

second quarter of the 17th century (1625–1650) · Musée du Louvre

Saint Bruno examine un dessin des thermes de Dioclétien, emplacement de la future chartreuse de Rome, Le Sueur, Eustache, 2e quart du XVIIe siècle (1625 - 1650)

Saint Bruno examine un dessin des thermes de Dioclétien, emplacement de la future chartreuse de Rome

second quarter of the 17th century (1625–1650) · Musée du Louvre

Marine Gods Paying Homage to Love, Eustache Le Sueur, about 1636–1638

Marine Gods Paying Homage to Love

about 1636–1638 · J. Paul Getty Museum

La Vierge à l'enfant avec saint Jean Baptiste, Le Sueur, Eustache, 2e quart du XVIIe siècle (vers 1640)

La Vierge à l'enfant avec saint Jean Baptiste

second quarter of the 17th century (c. 1640) · Musée du Louvre

The Rape of Tamar, Eustache Le Sueur, probably ca. 1640

The Rape of Tamar

probably ca. 1640 · The Metropolitan Museum of Art

Ganymède enlèvé par Jupiter, Le Sueur, Eustache, 2e quart du XVIIe siècle (vers 1644)

Ganymède enlèvé par Jupiter

second quarter of the 17th century (c. 1644) · Musée du Louvre

Bust of Pope Paul V, Gian Lorenzo Bernini, 1621

Gian Lorenzo Bernini

Bust of Pope Paul V, 1621

Portrait of Agostino Pallavicini, Anthony van Dyck, about 1621

Anthony van Dyck

Portrait of Agostino Pallavicini, about 1621

The Vision of Saint Francis of Paola, Bartolomé Esteban Murillo, about 1670

Bartolomé Esteban Murillo

The Vision of Saint Francis of Paola, about 1670

Joseph and Potiphar's Wife, Guido Reni, about 1630

Guido Reni

Joseph and Potiphar's Wife, about 1630

Euclid, Jusepe de Ribera, about 1630–1635

Jusepe de Ribera

Euclid, about 1630–1635

Pope Gregory XV, Guercino, about 1622–1623

Giovanni Francesco Barbieri, called Guercino

Pope Gregory XV, about 1622–1623

Musical Group on a Balcony, Gerrit van Honthorst, 1622

Gerard van Honthorst

Musical Group on a Balcony, 1622

Christ Crowned with Thorns, Gerrit van Honthorst, about 1620

Gerard van Honthorst

Christ Crowned with Thorns, about 1620

In the catalog

PaintingsOilFrench paintingBaroque17th centuryFrench