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  3. Cowdray House, set mellem træer
Cowdray House, set mellem træer, John Constable, 1834
John Constable, portraitJohn ConstableBritish, 1776–1837

Cowdray House, set mellem træer

1834 · Drawing

May one see it?

Not receiving at present

SMK — National Gallery of Denmark

Copenhagen, Denmark

It belongs to the collection, but is not on display at present.

Checked
3 days ago
In this state since
Aug 19, 2026
Source
The museum
On the mapMuseum page

Particulars

1834 · aged 58
17761837
Accession number
KKS21451

In the catalog

Drawings & watercolorsGraphiteRomanticism19th century

Sources

  • SMK
  • Image: SMK — National Gallery of Denmark — public domain

Meanwhile, in the life of John Constable

The whole life
  1. 1828–1837

    A widower with seven children

    For the rest of his life Constable dressed in black and brought up his seven children alone; according to Leslie he was “a prey to melancholy and anxious thoughts”. Several of the children also painted, notably Lionel.

  2. 1835

    A last lecture to the Academy’s students

    In 1835 Constable gave his last lecture to the students of the Royal Academy, praising Raphael and calling the Academy the “cradle of British art”; it was cheered most heartily.

  3. 1836

    Lectures at the Royal Institution: three theses

    In a series of lectures at the Royal Institution in 1836 Constable proposed three theses: landscape painting is scientific as well as poetic; imagination alone never can produce art that bears comparison with reality; and no great painter was ever self-taught.

More by John Constable

All works
Stoke-by-Nayland, John Constable, ca. 1810–11

Stoke-by-Nayland

ca. 1810–11 · The Metropolitan Museum of Art

Wivenhoe Park, Essex, John Constable, 1816

Wivenhoe Park, Essex

1816 · National Gallery of Art

The White Horse, John Constable, 1818-1819

The White Horse

1818-1819 · National Gallery of Art

La baie de Weymouth à l'approche de l'orage, Constable, John, 1e quart du XIXe siècle (1818 - 1819)

La baie de Weymouth à l'approche de l'orage

first quarter of the 19th century (1818–1819) · Musée du Louvre

Salisbury Cathedral from Lower Marsh Close, John Constable, 1820

Salisbury Cathedral from Lower Marsh Close

1820 · National Gallery of Art

Vue de Salisbury, Constable, John, 1e quart du XIXe siècle (1820)

Vue de Salisbury

first quarter of the 19th century (1820) · Musée du Louvre

Vallon à Helmingham [Helmingham Dell], Constable, John, 1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823)

Vallon à Helmingham [Helmingham Dell]

1823 · Musée du Louvre

Salisbury Cathedral from the Bishop's Grounds, John Constable, ca. 1825

Salisbury Cathedral from the Bishop's Grounds

ca. 1825 · The Metropolitan Museum of Art

Neighbors at SMK — National Gallery of Denmark

Museum page
Fra et romersk osteria, Carl Bloch, 1866

Carl Bloch

In a Roman Osteria, 1866

Portræt af Madame Matisse. Den grønne stribe, Henri Matisse, 1905

Henri Matisse

The Green Stripe, 1905

Titanernes fald, Cornelis Cornelisz. van Haarlem, 1588-1590

Cornelis Cornelisz. van Haarlem

The Fall of the Titans, 1588-1590

Alice, Amedeo Modigliani, 1916-1919

Amedeo Modigliani

Alice, 1916-1919

Kristus som den lidende frelser, Andrea Mantegna, 1485-1495

Andrea Mantegna

Christ as the Suffering Redeemer, 1485-1495

Mendel Levin Nathansons ældste døtre, Bella og Hanna, C.W. Eckersberg, 1820

Christoffer Wilhelm Eckersberg

Bella and Hanna. The Eldest Daughters of M. L. Nathanson, 1820

Melankolien, Lucas Cranach, 1532

Lucas Cranach

Melankolien, 1532

Selvportræt, Henri Matisse, 1906

Henri Matisse

Selvportræt, 1906