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  3. Corner piece
Corner piece, Alfred George Stevens, ca. 1860 - ca. 1870
Alfred Stevens, portraitAlfred StevensBritish, 1817–1875

Corner piece

ca. 1860 - ca. 1870 · Sketch-model

About the sculpture

This is a sketch model for the moulding on the base below the sarcophagus on the Wellington Monument in St. Paul's Cathedral, made by Stevens.

A sculptor, designer and painter, Alfred Stevens (1817/18- 1875) rejected contemporary distinctions between fine art and design. From 1850 to 1857 he was chief designer to Hoole & Co., Sheffield, where he produced award-winning designs for metalwork, majolica, terracotta ornaments and chimney-pieces. Perhaps his two greatest works were the decorations for the dining-room at Dorchester House, London (about 1856), for which he made countless drawings inspired by the Italian High Renaissance style, in particular the work of Michelangelo and the monument to the Duke of Wellington for St Paul's Cathedral, London, which was completed after his death. The two allegorical groups from this monument made a lasting impact on the New Sculpture movement.

Read on

The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument.

Although Stevens came equal fifth in the competition for the Wellington monument, the winner being the Scots sculptor William Calder Marshall (1813-1894), he was eventually given the commission as his design was felt to be more in keeping with the interior of St Paul's.

Victoria and Albert Museum

Particulars

ca. 1860 - ca. 1870
18171875
Accession number
A.64-1911

More by Alfred Stevens

All works

Neighbors at Victoria and Albert Museum

Museum page

On the same theme · Acanthus

All works on the theme

May one see it?

Not receiving at present

Victoria and Albert Museum

London, United Kingdom

It belongs to the collection, but is not on display at present.

Checked
13 days ago
In this state since
Sep 25, 2026
Source
The museum
On the mapMuseum page

What it shows

Acanthus

In the catalog

SculpturePlasterRealismImpressionism19th centuryEngland

Sources

  • Victoria and Albert Museum
  • Image: Victoria and Albert Museum — © Victoria and Albert Museum, London
Model for the Wellington Monument in St Paul's Cathedral, Alfred George Stevens, 1857

Model for the Wellington Monument in St Paul's Cathedral

1857 · Victoria and Albert Museum

Valour and Cowardice, Alfred George Stevens, 1866

Valour and Cowardice

1866 · Victoria and Albert Museum

Model for Wellington Monument: Truth and Falsehood, Alfred George Stevens, 1867-8

Model for Wellington Monument: Truth and Falsehood

1867-8 · Victoria and Albert Museum

William Blundell Spence, Alfred Stevens, 1851

William Blundell Spence

1851 · The National Gallery

Woman with Book (recto); Sketches of Male Figure (verso), Alfred George Stevens, n.d.

Woman with Book (recto); Sketches of Male Figure (verso)

n.d. · Not on view · Art Institute of Chicago

Decorative Design with Putti and Griffins, Alfred George Stevens, n.d.

Decorative Design with Putti and Griffins

n.d. · Not on view · Art Institute of Chicago

Drawing, Alfred George Stevens

Drawing

Not on view · Victoria and Albert Museum

Drawing, Alfred George Stevens

Drawing

Not on view · Victoria and Albert Museum

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Hand Bell with Armorial Shields and Griffins, Italian 16th Century, first half 16th century

Italian 16th Century

Hand Bell with Armorial Shields and Griffins, first half 16th century

Not on view · National Gallery of Art

Mortar with Vine scrolls, Loop, and Ring, Italian 16th Century, 16th century

Italian 16th Century

Mortar with Vine scrolls, Loop, and Ring, 16th century

National Gallery of Art

Billethead from Ship "Favorite", Hazel Hyde, c. 1938

Hazel Hyde

Billethead from Ship "Favorite", c. 1938

Not on view · National Gallery of Art

Hand Bell with Armorial Shield between Thistles (?), Palm Crossing Laurel, and initials B B, Probably Venetian 16th Century, 16th century

Probably Venetian 16th Century

Hand Bell with Armorial Shield between Thistles (?), Palm Crossing Laurel, and initials B B, 16th century

Not on view · National Gallery of Art

Mortar with Putti and Griffins, Italian 16th Century, early 16th century

Italian 16th Century

Mortar with Putti and Griffins, early 16th century

Not on view · National Gallery of Art

Arm Chair, M. Rosenshield-von-Paulin, 1937

M. Rosenshield-von-Paulin

Arm Chair, 1937

Not on view · National Gallery of Art

Mortar with Foliage and Acanthus Leaves, Italian 16th Century, early 16th century

Italian 16th Century

Mortar with Foliage and Acanthus Leaves, early 16th century

Not on view · National Gallery of Art

Design for a pier-glass for Sir Monoux Cope, 7th Baronet, John Linnell, ca.1755-1760

John Linnell

Design for a pier-glass for Sir Monoux Cope, 7th Baronet, ca.1755-1760

Not on view · Victoria and Albert Museum