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  1. Collection/
  2. Musée national de la Renaissance/
  3. Calpurnius
Calpurnius, Hendrick Goltzius, 1590 entre,1600 et
Hendrick Goltzius, portraitHendrick GoltziusDutch, 1558–1617

Calpurnius

1590 entre,1600 et · Painting · 215 × 110 cm

May one see it?

Unknown

MNR
Musée national de la Renaissance

Ecouen, France

The owner is known; whether it is on view today is not.

In this state since
Oct 5, 2026
Source
The museum
On the mapMuseum page

Particulars

1590 entre,1600 et
15581617
Accession number
E.Cl. 1533 g

Meanwhile, in the life of Hendrick Goltzius

The whole life
  1. late 1580s

    Depression and consumption

    From the late 1580s he suffered from depression and consumption; his family life was unhappy.

  2. 1590

    Departure for Italy

    He fled from his wife and, despite his illnesses, set out for Italy — via Hamburg and Munich to Venice, Bologna and Florence. Part of the way he traveled on foot, passing himself off as a commoner, "partly out of a love of mystification."

  3. January 1591

    Eight months in Rome

    He arrived in Rome in January 1591 and stayed eight months (with a brief sojourn in Naples). He discovered Raphael, was especially impressed by Michelangelo and Giambologna, and studied art from classical sculpture to the masters of the Renaissance.

  4. August 1591

    Return to Haarlem with a collection of drawings

    He returned to Haarlem, bringing from Italy a large collection of drawings that he used for the rest of his life; from the Roman material three engravings of classical statues are known, including the Farnese Hercules.

  5. mid-1590s

    Turn toward classicism

    In the mid-1590s his art underwent a gradual stylistic turn toward classicism; at the same time he began executing large finished pen drawings on parchment in a calligraphic technique imitating the methods of burin engraving.

More by Hendrick Goltzius

All works

From the collection of Musée national de la Renaissance

Museum page

c. 1600

Abandoning engraving for painting

Around 1600, partial paralysis of his right hand (maimed in childhood in a fall onto burning coals) forced Goltzius to give up engraving and turn to painting; he handed over his print publishing to his stepson Jacob Matham. About fifty surviving paintings are attributed to him.

What it shows

Figure (Calpurnius Pison, homme, soldat, bouclier, en pied, de trois-quarts, chef militaire, casque)

In the catalog

PaintingsDutch paintingRenaissance16th centuryPays-Bas (d'après)

Sources

  • Musée national de la Renaissance
  • Image: Musée national de la Renaissance — © Gérard Blot ; © Réunion des musées nationaux - utilisation soumise à autorisation; Ministère de la Culture (France), base Joconde
Lot and his Daughters, Hendrick Goltzius, 1616

Lot and his Daughters

1616 · Rijksmuseum

Fall of Man, Hendrick Goltzius, 1608

Fall of Man

1608 · State Hermitage Museum

Baptism, Hendrick Goltzius, 1608

Baptism

1608 · State Hermitage Museum

Dying Adonis, Hendrick Goltzius, 1609

Dying Adonis

1609 · Rijksmuseum

Vertumnus and Pomona, Hendrick Goltzius, 1613

Vertumnus and Pomona

1613 · Rijksmuseum

The Fall of Man, Hendrick Goltzius, 1616

The Fall of Man

1616 · National Gallery of Art

Apollo, Hendrick Goltzius, 1588

Apollo

1588 · The Cleveland Museum of Art

Apollo Belvedere, Hendrick Goltzius, 1592

Apollo Belvedere

1592 · The Cleveland Museum of Art

Dispute de Minerve et Neptune, 1er quart 19e siècle

Dispute de Minerve et Neptune

Scène champêtre, 19e siècle

Scène champêtre

Minerve en cuirasse, 2e moitié 18e siècle

Minerve en cuirasse

Un évêque tenant sa crosse (Saint Augustin ?), 18e siècle

Un évêque tenant sa crosse (Saint Augustin ?)

Scène pastorale, 18e siècle

Scène pastorale

Albert Rubens, 1657

Albert Rubens, 1657

Apothéose de saint Bruno, 2e moitié 17e siècle

Apothéose de saint Bruno

Sainte Madeleine assise, 1er quart 17e siècle

Sainte Madeleine assise