Breakers on a Flat Beach, J. M. W. Turner, 19th century
Joseph Mallord William Turner, portraitJoseph Mallord William TurnerBritish, 1775–1851

Breakers on a Flat Beach

19th century · Painting · 121 × 90.2 cm

May one see it?

Unknown

The National Gallery

London, United Kingdom

The owner is known; whether it is on view today is not.

In this state since
Source
The museum

Particulars

Accession number
NG1987

In the catalog

Sources

  • Wikidata
  • Image: The National Gallery — J. M. W. Turner · Public domain · Wikimedia Commons

Meanwhile, in the life of Joseph Mallord William Turner

The whole life
  1. 4 November 1799

    Elected an associate of the Royal Academy

    On 4 November 1799 Turner, by then a popular artist, was elected an associate (corresponding) member of the Royal Academy.

  2. 1801

    The triumph of the “Bridgewater Sea Piece” at the Academy

    “Dutch Boats in a Gale” (the “Bridgewater Sea Piece”), commissioned for 250 guineas by the Duke of Bridgewater, one of the richest men in England, “took the Academy by storm” and was hung in the best location of the whole exhibition: in the Great Room, centred, opposite the entrance.

  3. 10 February 1802

    Becomes a Royal Academician

    On 10 February 1802 he was granted the title of Royal Academician, which gave him the right to exhibit without passing the selection committee that previewed all works.

  4. 1802–1803

    Paris and the Swiss Alps in a year of peace

    In the only year without war in Europe between 1793 and 1814 (the Peace of Amiens, 1802–1803) a consortium of noblemen sponsored a visit to Paris, where he saw old master paintings in the Louvre, and then he toured the Swiss Alps; his Alpine sketches later let him represent “the sublime” in paintings such as “Snow Storm: Hannibal and his Army Crossing the Alps” (1812).

  5. 1819

    First journey through Italy

    He visited Turin, Milan, Rome, Venice and Naples, studying the works of Titian, Tintoretto, Raphael and contemporary Italian artists; after the trip his painting became brighter, his palette more intense, with primary colours predominating, and the Venetian theme took a special place in his work.

  6. 19 December 1851

    Died

All works

From the collection of The National Gallery

Museum page