Berthe Morisot with a Muff, Édouard Manet, c. 1871–72
Édouard Manet, portraitÉdouard ManetFrench, 1832–1883

Berthe Morisot with a Muff

c. 1871–72 · Painting

Can I see it?

Not on view at present

Where is “Berthe Morisot with a Muff” now? Collection: The Cleveland Museum of Art, Cleveland. Not on view at present. Checked September 29, 2026.

The Cleveland Museum of Art

Cleveland, United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

About the painting

This is one of two portraits Manet painted of Morisot dressed for winter in a heavy coat and feathered hat. (See Berthe Morisot with a Half Veil, also in this gallery.) Manet’s wide brushstrokes and crosshatchings, which describe areas of shadow, evoke the sketchy quality of Morisot’s own paintings, likely Manet’s nod to his subject’s identity as an artist.

The Cleveland Museum of Art

Details

Accession number
1958.34

In the catalog

Sources

In the life of Édouard Manet

The whole life
  1. 1869

    Meets Eva Gonzalès

    In 1869 Manet met the young painter Eva Gonzalès and offered that she pose for a portrait; she became his only formal student.

  2. 1870

    The siege of Paris: Manet in the army

    During the siege of Paris Manet, a convinced republican, sent his family to Oloron-Sainte-Marie in the south of France, while he himself, with many fellow artists, joined the army and took part in the defence of the capital; he was lucky to survive.

  3. 1870s

    Refuses to exhibit with the Impressionists

    Although his own work influenced and anticipated the Impressionist style, Manet resisted involvement in Impressionist exhibitions: he did not wish to be seen as the representative of a group identity and held that modern artists should seek to exhibit at the Salon.

  4. 1871

    Manet's name on the Commune's Fédération des artistes

    In his absence his friends added his name to the Paris Commune's “Fédération des artistes”; he himself stayed out of politics and perhaps returned to the city only after the “bloody week” — in a letter to Berthe Morisot of 10 June he writes that they had come back a few days earlier.

  5. 1873

    “Le Bon Bock”: a huge success

    In his new studio in 1873 Manet painted “Le Bon Bock”, which became famous: for the first time in almost fifteen years he had a huge success, yet he did not turn into a fashionable, opportunistic painter.

  6. 1874

    “The Railway”: ridicule at the Salon of 1874

    “The Railway”, painted in 1873, puzzled visitors and critics at the Salon of 1874: its subject seemed baffling, its composition incoherent and its execution sketchy; caricaturists ridiculed it, and only later was it recognised as a symbol of modernity. The model was Victorine Meurent, for the last time.

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