
Dante Gabriel RossettiEnglish, 1828–1882May one see it?
London, United Kingdom
The owner is known; whether it is on view today is not.
Beata Beatrix is a painting completed in several versions by Pre-Raphaelite artist Dante Gabriel Rossetti. The painting depicts Beatrice Portinari from Dante Alighieri's 1294 poem La Vita Nuova, at the moment of her death. The first version is in oil on canvas, completed in 1870.
1869–1874
Kelmscott Manor: a summer house and a retreat
In 1869 Morris and Rossetti rented Kelmscott Manor at Kelmscott, Oxfordshire, as a summer home, but it became a retreat for Rossetti and Jane Morris: they spent summers there with the Morrises’ children while William Morris travelled to Iceland in 1871 and 1873.
1870
The 1870 “Poems”
In 1870 Rossetti published the volume “Poems by D. G. Rossetti,” collating the recovered texts and some translations, such as his 1869 “Ballad of Dead Ladies” after Villon; the word “yesteryear” is credited to Rossetti as a neologism used for the first time in this translation.
1871
Love for Jane Morris
In 1871 Rossetti fell in love again — with Jane, the wife of his friend William Morris; they became lovers, and Jane sat for him often.
October 1871 – May 1872
Buchanan’s attack: the “fleshly school of poetry”
In October 1871 Robert Buchanan attacked both Rossetti’s poems and his morality in The Contemporary Review; against the advice of his brother William Michael, Rossetti issued a written reply in December, and in May 1872 Buchanan published a 100-page pamphlet, “The Fleshly School of Poetry and Other Phenomena of the Day.”
June – September 1872
The breakdown of 1872: laudanum and Scotland
In June 1872, after the savage criticism of his poems, Rossetti suffered a mental breakdown in which he attempted unsuccessfully to kill himself with an overdose of laudanum. He spent nine weeks recuperating in Scotland and in September joined Jane Morris at Kelmscott, but spent his days in a haze of chloral and whisky.
1874
Morris cuts Rossetti out of the firm
In 1874 Morris reorganised his decorative arts firm, cutting Rossetti out of the business, and the polite fiction that both men were in residence with Jane at Kelmscott could no longer be maintained.