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  1. Collection/
  2. Minneapolis Institute of Art/
  3. Bead Stringers
Bead Stringers, James Abbott McNeill Whistler, 1879–80
James Abbott McNeill Whistler, portraitJames Abbott McNeill WhistlerAmerican, 1834–1903

Bead Stringers

1879–80 · Print · 22.7 × 15.24 cm

May one see it?

Not receiving at present

Minneapolis Institute of Art

Minneapolis, United States

It belongs to the collection, but is not on display at present.

Checked
9 days ago
In this state since
Sep 25, 2026
Source
The museum
On the mapMuseum page

Particulars

1879–80
18341903
Accession number
P.4, 581

In the catalog

PrintsEtchingRealismImpressionism19th centuryUnited States

Sources

  • Minneapolis Institute of Art
  • Image: Minneapolis Institute of Art — public domain

Meanwhile, in the life of James Abbott McNeill Whistler

The whole life
  1. 1877

    Libel Suit Against Ruskin

    In 1877 Whistler sued the critic John Ruskin, who had condemned his "Nocturne in Black and Gold: The Falling Rocket," demanding 1,000 pounds in damages. Because of the criticism, his works fell out of favour.

  2. 25 – 26 November 1878

    The Trial of Whistler v. Ruskin

    On 25–26 November 1878 the suit was heard in the High Court. The jury returned a verdict in Whistler's favour but awarded damages of one farthing, and costs were split between the parties.

  3. 8 May 1879

    Bankruptcy

    Legal costs and debts from the construction of the White House on Tite Street forced Whistler to declare bankruptcy on 8 May 1879; his collection, possessions, and house went to auction.

  4. September 1879

    Trip to Venice

    After the trial, Whistler accepted a commission for twelve etchings and arrived in Venice in September 1879. The three-month trip stretched to fourteen months: over 50 etchings, nocturnes, and more than 100 pastels.

  5. January 1881

    Mother's Death; the Name McNeill

    In January 1881 the artist's mother, Anna Whistler, died. In her honour he adopted her maiden name, "McNeill," as his middle name.

More by James Abbott McNeill Whistler

All works
Symphony in White, No. 1: The White Girl, James McNeill Whistler, 1861-1863, 1872

Symphony in White, No. 1: The White Girl

1861-1863, 1872 · National Gallery of Art

Battersea Reach, James McNeill Whistler, c. 1863

Battersea Reach

c. 1863 · National Gallery of Art

Cremorne Gardens, No. 2, James McNeill Whistler, ca. 1870–80

Cremorne Gardens, No. 2

ca. 1870–80 · The Metropolitan Museum of Art

The Seashore, James Abbott McNeill Whistler, 1883–85

The Seashore

1883–85 · Minneapolis Institute of Art

Arrangement in Flesh Colour and Black: Portrait of Theodore Duret, James McNeill Whistler, 1883

Arrangement in Flesh Colour and Black: Portrait of Theodore Duret

1883 · The Metropolitan Museum of Art

Alice Butt, James McNeill Whistler, c. 1895

Alice Butt

c. 1895 · National Gallery of Art

Violet and Silver—The Deep Sea, James McNeill Whistler, 1893

Violet and Silver—The Deep Sea

1893 · Art Institute of Chicago

Trouville (Grey and Green, the Silver Sea), James McNeill Whistler, 1865

Trouville (Grey and Green, the Silver Sea)

1865 · Art Institute of Chicago

Neighbors at Minneapolis Institute of Art

Museum page
Olive Trees, Vincent van Gogh, 1889

Vincent van Gogh

Olive Trees, 1889

Grainstack, Sun in the Mist, Claude Monet, 1891

Claude Monet

Grainstack, Sun in the Mist, 1891

Lucretia, Rembrandt van Rijn, 1666

Rembrandt van Rijn

Lucretia, 1666

Self-Portrait with Dr. Arrieta, Francisco José de Goya y Lucientes, 1820

Francisco de Goya

Self-Portrait with Dr. Arrieta, 1820

Study for Improvisation V, Vassily Kandinsky, 1910

Vasily Kandinsky

Study for Improvisation V, 1910

Tahitian Landscape, Paul Gauguin, 1891

Paul Gauguin

Tahitian Landscape, 1891

Chestnut Trees at Jas de Bouffan, Paul Cézanne, c. 1885–86

Paul Cézanne

Chestnut Trees at Jas de Bouffan, c. 1885–86

The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34

Peter Paul Rubens

The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34