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Barn, Utah, Dorothea Lange, 1941
Dorothea Lange, portraitDorothea LangeAmerican, 1895–1965

Barn, Utah

1941 · Photograph

May one see it?

Not receiving at present

The Museum of Modern Art

New York, United States

It belongs to the collection, but is not on display at present.

Checked
8 days ago
Source
The museum
On the mapMuseum page

Particulars

1941 · aged 46
18951965
Accession number
614.1995

In the catalog

PhotographsGelatin silver printModernism20th century

Sources

  • The Museum of Modern Art
  • Image: The Museum of Modern Art — © the artist or rights holder

Meanwhile, in the life of Dorothea Lange

The whole life
  1. 1935–1940

    Five years on the road with Paul Taylor

    For the next five years the couple travelled the California coast and the Midwest, documenting rural poverty, above all the exploitation of sharecroppers and migrant labourers: Taylor interviewed people and gathered economic data while Lange made photographs and the accompanying records. They lived and worked from Berkeley for the rest of her life.

  2. 1939

    The book “An American Exodus” with Paul Taylor

    Lange and her husband, the economist Paul Schuster Taylor, were the authors of the book “An American Exodus: A Record of Human Erosion” (first published in 1939).

  3. 1940

    Her photographs inspire the film “The Grapes of Wrath”

    Lange’s photographs served as an inspiration for the 1940 film adaptation of “The Grapes of Wrath”.

  4. 1941 · Award

    Guggenheim Fellowship

  5. 1941–1942

    Gives up her Guggenheim Fellowship for the WRA

    In 1941 Lange became the first woman to win a Guggenheim Fellowship for photography, but after the attack on Pearl Harbor she gave it up to work for the War Relocation Authority (WRA), documenting the forced evacuation of Japanese Americans from the US West Coast.

  6. c. 1942

    Photographing the removal of Japanese Americans: Manzanar

    Lange travelled through the towns and countryside of California photographing families that the government ordered out of their homes; she visited several temporary assembly centres as they opened and settled on Manzanar, the first of the permanent camps, in eastern California about 300 miles from the coast. The authorities impounded most of these photographs, and they were not seen publicly during the war.

More by Dorothea Lange

All works
Children of the Weill public school shown in a flag pledge ceremony, San Francisco, California, Dorothea Lange, April 1942, printed c. 1965

Children of the Weill public school shown in a flag pledge ceremony, San Francisco, California

April 1942, printed c. 1965 · National Gallery of Art

End of Shift, Richmond, California, Dorothea Lange, 1942

End of Shift, Richmond, California

1942 · The Museum of Modern Art

Hand, Indonesian Dancer, Java, Dorothea Lange, 1958

Hand, Indonesian Dancer, Java

1958 · The Museum of Modern Art

Migrant Mother, Nipomo, California, Dorothea Lange, 1936, printed 1964

Migrant Mother, Nipomo, California

1936, printed 1964 · Art Institute of Chicago

Gas Station, Kern Co., California, Dorothea Lange, c. 1938, printed 1939

Gas Station, Kern Co., California

c. 1938, printed 1939 · Art Institute of Chicago

Peach Picker, Muscella, Georgia, Dorothea Lange, July 1939

Peach Picker, Muscella, Georgia

July 1939 · Art Institute of Chicago

Brigham Young's granddaughter, St. George, Utah, Dorothea Lange, 1950s

Brigham Young's granddaughter, St. George, Utah

1950s · Not on view · National Gallery of Art

Dorothea Lange's Mother, Dorothea Lange, c. 1915

Dorothea Lange's Mother

c. 1915 · Not on view · The Museum of Modern Art

Neighbors at The Museum of Modern Art

Museum page
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

The Starry Night, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950