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  3. Bacchus Consoling Ariadne
Bacchus Consoling Ariadne, Aimé-Jules Dalou, c. 1892
Aimé-Jules Dalou, portraitAimé-Jules DalouFrench, 1838–1902

Bacchus Consoling Ariadne

c. 1892 · Sculpture

May one see it?

Yes, receiving visitors

Art Institute of Chicago

Chicago, United States

Room222

On public display.

Checked
3 days ago
In this state since
Aug 19, 2026
Source
The museum
On the mapMuseum page

About the sculpture

Having been abandoned on the Greek island of Naxos, the mythological princess Ariadne was discovered by Bacchus, god of wine, who fell in love with her. In Dalou’s plaster she is tenderly awakened by the deity while a mischievous faun (a half-human, half-goat creature) attempts to distract the couple with an offering of grapes.

Aimé-Jules Dalou was a protégé of the sculptor Jean-Baptiste Carpeaux and spent his early years studying the art of the 18th century. His first success came with images of modern life, such as nursing mothers and infants, but he later undertook allegorical subjects and historical statues for public commissions in France’s Third Republic. This plaster was exhibited at the annual Paris Salon in 1892 and later used as the model for a marble version, now at the Clark Art Institute in Williamstown, Massachusetts.

Art Institute of Chicago · CC BY 4.0

Particulars

c. 1892
18381902
Accession number
1983.25

What it shows

Greek mythologyNudeMythologyMythological figuresMythicalLoveGreek godsFauns/satyrs/panChildWomanManEmotions

In the catalog

SculpturePlasterImpressionism19th centuryFrance

Sources

  • Art Institute of Chicago
  • Image: Art Institute of Chicago — CC0

More by Aimé-Jules Dalou

All works
Alphonse Legros, Aimé-Jules Dalou, model c. 1876, cast possibly 1879/1920

Alphonse Legros

model c. 1876, cast possibly 1879/1920 · National Gallery of Art

Mother and Child, Aimé-Jules Dalou, c. 1873

Mother and Child

c. 1873 · National Gallery of Art

The Espousal (The Passage of the Rhine), Aimé-Jules Dalou, model 1890/1892, cast c. 1907

The Espousal (The Passage of the Rhine)

model 1890/1892, cast c. 1907 · National Gallery of Art

Portrait Mask of Etienne Carjat, Aimé-Jules Dalou, model c. 1891, cast after 1907

Portrait Mask of Etienne Carjat

model c. 1891, cast after 1907 · National Gallery of Art

Head of a Peasant (Tête de paysan), Aimé-Jules Dalou, cast after a model of 1894

Head of a Peasant (Tête de paysan)

cast after a model of 1894 · The Metropolitan Museum of Art

Peasant woman nursing a baby, Aimé-Jules Dalou, 1873

Peasant woman nursing a baby

1873 · Victoria and Albert Museum

Bust of a Lady, Jules Dalou, c. 1875

Bust of a Lady

c. 1875 · The Cleveland Museum of Art

Woman reading, Aimé-Jules Dalou, ca. 1875

Woman reading

ca. 1875 · Victoria and Albert Museum

Neighbors at Art Institute of Chicago

Museum page
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Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

A Sunday Afternoon on the Island of La Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Two Sisters (On the Terrace), 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

The Basket of Apples, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942